“The historian has a habit of saying of people in the past: ‘I think they may well be considered worthy of praise, allowing for the ideas of their times.’ There will never be really good history until the historian says, ‘I think they were worthy of praise, allowing for the ideas of my time.”

“One of the great disadvantages of hurry is that it takes such a long time.”

“Look at that blacksmith, for instance,” went on Father Brown calmly; “a good man, but not a Christian — hard, imperious, unforgiving. Well, his Scotch religion was made up by men who prayed on hills and high crags, and learnt to look down on the world more than to look up at heaven. Humility is the mother of giants. One sees great things from the valley; only small things from the peak.”

“Morality did not begin by one man saying to another, “I will not hit you if you do not hit me”; there is no trace of such a transaction. There IS a trace of both men having said, “We must not hit each other in the holy place.”

“Modern tragic writers have to write short stories; if they wrote long stories…cheerfulness would creep in. Such stories are like stings; brief, but purely painful.”

“[A] finished tale may give a man immortality in the light and literary sense; but an unfinished tale suggests another immortality, more essential and more strange.”

“Sleep!” cried Father Brown. “Sleep. We have come to the end of the ways. Do you know what sleep is? Do you know that every man who sleeps believes in God? It is a sacrament; for it is an act of faith and it is a food. And we need a sacrament, if only a natural one. Something has fallen on us that falls very seldom on men; perhaps the worst thing that can fall on them.”

“La sua logica è straordinariamente lucida e fredda e invariabilmente lo porta fuori strada. Ma all’improvviso interviene la poesia in lui a riportarlo in carreggiata.”

“In the glad old days, before the rise of modern morbidities…it used to be thought a disadvantage to be misunderstood.”

“I mean that we here are on the wrong side of the tapestry,’ answered Father Brown. ‘The things that happen here do not seem to mean anything; they mean something somewhere else. Somewhere else retribution will come on the real offender. Here it often seems to fall on the wrong person.”

“A Second Childhood.”When all my days are endingAnd I have no song to sing,I think that I shall not be too oldTo stare at everything;As I stared once at a nursery doorOr a tall tree and a swing.Wherein God’s ponderous mercy hangsOn all my sins and me,Because He does not take awayThe terror from the treeAnd stones still shine along the roadThat are and cannot be.Men grow too old for love, my love,Men grow too old for wine,But I shall not grow too old to seeUnearthly daylight shine,Changing my chamber’s dust to snowTill I doubt if it be mine.Behold, the crowning mercies melt,The first surprises stay;And in my dross is dropped a giftFor which I dare not pray:That a man grow used to grief and joyBut not to night and day.Men grow too old for love, my love,Men grow too old for lies;But I shall not grow too old to seeEnormous night arise,A cloud that is larger than the worldAnd a monster made of eyes.Nor am I worthy to unlooseThe latchet of my shoe;Or shake the dust from off my feetOr the staff that bears me throughOn ground that is too good to last,Too solid to be true.Men grow too old to woo, my love,Men grow too old to wed;But I shall not grow too old to seeHung crazily overheadIncredible rafters when I wakeAnd I find that I am not dead.A thrill of thunder in my hair:Though blackening clouds be plain,Still I am stung and startledBy the first drop of the rain:Romance and pride and passion passAnd these are what remain.Strange crawling carpets of the grass,Wide windows of the sky;So in this perilous grace of GodWith all my sins go I:And things grow new though I grow old,Though I grow old and die.”

“…”vers libre,” (free verse) or nine-tenths of it, is not a new metre any more than sleeping in a ditch is a new school of architecture.”

“According to most philosophers, God in making the world enslaved it. According to Christianity, in making it, He set it free. God had written, not so much a poem, but rather a play; a play he had planned as perfect, but which had necessarily been left to human actors and stage-managers, who had since made a great mess of it.”

“Tradition means giving votes to the most obscure of all classes, our ancestors. It is the democracy of the dead. Tradition refuses to submit to the small and arrogant oligarchy of those who merely happen to be walking about.”

“The Christian ideal has not been tried and found wanting. It has been found difficult; and left untried.”