“You don’t understand what time is,’ he said. ‘You say the past is gone. the future is not real, there is no change, no hope. You think Anarres is a future that cannot be reached, as your past cannot be changed. So there is nothing but the present, this Urras, the rich, real, stable present, the moment now. And you think that is something which can be possessed! You envy it a little. You think it’s something you would like to have. But it is not real, you know. It is not stable, not solid—nothing is. Things change, change. You cannot have anything. And least of all can you have the present, unless you accept with it the past and the future. Not only the past but also the future, not only the future but also the past! Because they are real: only their reality makes the present real. You will not achieve or even understand Urras unless you accept the reality, the enduring reality, of Anarres.”

“What is sacredness?What is true is sacred. What has been suffered. What is beautiful.So the Telling tries to find the truth in events or the pain, or the beauty?No need to try to find it, said Unroy. The sacredness is there. In the truth, the pain, the beauty. So that the telling of it is sacred.”

“…[T]he only means I have to stop ignorant snobs from behaving towards genre fiction with snobbish ignorance is to not reinforce their ignorance and snobbery by lying and saying that when I write SF it isn’t SF, but to tell them more or less patiently for forty or fifty years that they are wrong to exclude SF and fantasy from literature, and proving my arguments by writing well.”

“As often as we made love I remembered what my poet told me, that this man was born of a goddess, the force that moves the stars and the waves of the sea and couples the animals in the fields in spring, the power of passion, the light of the evening star.”

“Aeneas’ mother is a star?””No; a goddess.”I said cautiously, “Venus is the power that we invoke in spring, in the garden, when things begin growing. And we call the evening star Venus.”He thought it over. Perhaps having grown up in the country, among pagans like me, helped him understand my bewilderment. “So do we, he said. “But Venus also became more…With the help of the Greeks. They call her Aphrodite…There was a great poet who praised her in Latin. Delight of men and gods, he called her, dear nurturer. Under the sliding star signs she fills the ship-laden sea and the fruitful earth with her being; through her the generations are conceived and rise up to see the sun; from her the storm clouds flee; to her the earth, the skillful maker, offers flowers. The wide levels of the sea smile at her, and all the quiet sky shines and streams with light…”It was the Venus I had prayed to, it was my prayer, though I had no such words. They filled my eyes with tears and my heart with inexpressible joy.”

“This concern, feebly called ‘love of nature’, seemed to Shevek to be something much broader than love. There are souls, he thought, whose umbilicus has never been cut. They never got weaned from the universe. They do not understand death as an enemy; they look forward to rotting and turning into humus.”

“You will die. You will not live forever. Nor will any man nor any thing. Nothing is immortal. But only to us is it given to know that we must die. And that is a great gift: the gift of selfhood. For we have only what we know we must lose, what we are willing to lose… That selfhood which is our torment, and our treasure, and our humanity, does not endure. It changes; it is gone, a wave on the sea. Would you have the sea grow still and the tides cease, to save one wave, to save yourself?”

“You fear them because you fear death, and rightly: for death is terrible and must be feared,’ the mage said…’And life is also a terrible thing,’ Ged said, ‘and must be feared and praised.”

“The artist deals with what cannot be said in words.The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.”

“I went to the springs while the sun was still up, and sitting on a rocky outcrop above the cave mouth I watched the light grow reddish across the misty pools, and listened to the troubled voice of the water. After a while I moved farther up the hill, where I could hear birds singing near and far in the silence of the trees. The presence of the trees was very strong…The big oaks stood so many, so massive in their other life, in their deep, rooted silence: the awe of them came on me, the religion.”

“They have no gods. They work magic, and think they are gods themselves. But they are not. And when they die, they (…) become dust and bone, and their ghosts whine on the wind a little while till the wind blows them away. They do not have immortal souls.”

“There are souls, he thought, whose umbilicus has never been cut. They never got weaned from the universe. They do not understand death as an enemy; they look forward to rotting and turning into humus.”

“Knowledge sets us free, art sets us free. A great library is freedom…and that freedom must not be compromised. It must be available to all who need it, when they need it, and that’s always.”

“Having one king, one god, one belief, they can act single-mindedly.”

“Her concern with landscapes and living creatures was passionate. This concern, feebly called, “the love of nature” seemed to Shevek to be something much broader than love. There are souls, he thought, whose umbilicus has never been cut. They never got weaned from the universe. They do not understand death as an enemy; they look forward to rotting and turning into humus. It was strange to see Takver take a leaf into her hand, or even a rock. She became an extension of it, it of her.”