“Being a Dream Girl is never going to be about what you look like or how much you weigh. After all, our physical appearances are just reflections of our inner worlds. What makes you a Dream Girl is your emotional sensitivity, your self-awareness, and your ability to communicate who you are effectively and compassionately in the world.”

“I have always held the old-fashioned opinion that the primary object of work of fiction should be to tell a story.”

“Romance has been elegantly defined as the offspring of fiction and love.”

“No, not really. But …” Okay, I couldn’t help but gloat a little. “She likes me.”Samedi didn’t even look at me. “Well of course, you’ve had that bloody uniform on all day. I was half ready to tell you how much I liked you.”

“The only sweeter than union is reunion.”

“But then, that’s the beauty of writing stories—each one is an exploratory journey in search of a reason and a shape. And when you find that reason and that shape, there’s no feeling like it.”[Peter Wild Interviews TC Boyle, 3:AM Magazine, June 2003]”

“His right ear still held both studs, and I wondered who had the missing earring. I would have asked, but was afraid he’d tell me Ivy had it.”

“She fixed a smile that she hoped looked authentic. Pretending to be content continued to be hard work.”

“Justice will prevail!”

“A woman’s got one life: She’s got to reach out and grab it with both hands, or it’ll pass her by and leave nothing but a smelly old fart in her face.”

“If I’d had enough breath, I would have screamed, both at the sensation and at the sheer pettiness of the bastard who wouldn’t allow me even a tiny chance of escape.”

“Big lots,’ I said, seeing the eighty-year-old oaks and shady lawns. The houses were set way back and had iron fences and stone drives. The harder to hear your neighbors scream, my dear,’ was David’s answer, and I sent my head up and down in agreement.”

“Fiction that adds up, that suggests a “logical consistency,” or an explanation of some kind, is surely second-rate fiction; for the truth of life is its mystery.”

“I would like [my readers] to better understand human beings and human life as a result of having read [my] stories. I’d like them to feel that this was an experience that made things better for them and an experience that gave them hope. I think that the kind of things that we talk about at this conference — fantasy very much so, science fiction, and even horror — the message that we’re sending is the reverse of the message sent by what is called “realistic fiction.” (I happen to think that realistic fiction is not, in fact, realistic, but that’s a side issue.) And what we are saying is that it doesn’t have to be like this: things can be different. Our society can be changed. Maybe it’s worse, maybe it’s better. Maybe it’s a higher civilization, maybe it’s a barbaric civilization. But it doesn’t have to be the way it is now. Things can change. And we’re also saying things can change for you in your life. Look at the difference between Severian the apprentice and Severian the Autarch [in The Book of the New Sun], for example. The difference beteween Silk as an augur and Silk as calde [in The Book of the Long Sun]. You see?We don’t always have to be this. There can be something else. We can stop doing the thing that we’re doing. Moms Mabley had a great line in some movie or other — she said, “You keep on doing what you been doing and you’re gonna keep on gettin’ what you been gettin’.” And we don’t have to keep on doing what we’ve been doing. We can do something else if we don’t like what we’re gettin’. I think a lot of the purpose of fiction ought to be to tell people that.”

“Starting over can be the scariest thing in the entire world, whether it’s leaving a lover, a school, a team, a friend or anything else that feels like a core part of our identity but when your gut is telling you that something here isn’t right or feels unsafe, I really want you to listen and trust in that voice.”