“WINTER’S GHOST:Autumn moonincautious in the dark riverWinter’s ghost walkswith a covered faceand silver bones wait in all animalsto be bone cloth upon her shoulderwait for her happiness in that they are silver”

“Yes: I exist inside my body.I’m not carrying the sun and the moon in my pocket.I don’t want to conquer worlds because I slept badly,And I don’t want to eat the world for breakfast because I have a stomach.Indifferent?No: a son of the earth, who, if he jumps, it’s wrong,A moment in the air that’s not for us,And only happy when his feet hit the ground again,Pow! In reality where nothing’s missing!(6/20/1919)”

“If science wants to be truthful,What science is more truthful than the science of things without science?I close my eyes and the hard earth where I’m lyingHas a reality so real even my back feels it.I don’t need reason — I have shoulderblades.”

“Something changed in part of reality — my knees and my hands.What science has knowledge for this?The blind man goes on his way and I don’t make any more gestures.It’s already not the same time, or the same people, or anything the same.This is being real.”

“The Amorous Shepherd is a fruitless interlude, but those few poems are among the world’s greatest love poems, because they’re love poems about love, not about being poems. The poet loves because he loves, not because love exists.”

“The amorous shepherd has lost his staff,And his sheep are straying on the hillside,And he didn’t even play the flute he brought to play because he was thinking so much.No one came to him or went away. He never found his staff again.Others, cursing at him, gathered his sheep for him.No one had loved him, in the end.When he got up from the hillside and the false truth, he saw everything:The great valleys full of the same green as always,The great distant mountains, more real than any feeling,All reality, with the sky and the air and the fields that exist, is present.(And once again the air, that he’d missed for so long, entered coolly into his lungs)And he felt that the air was opening again, but with pain, a liberty in his chest.(7/10/1930)”

“A row of trees far away, there on the hillside.But what is it, a row of trees? It’s just trees.Row and the plural trees aren’t things, they’re names.”

“I’m in no hurry: the sun and the moon aren’t, either.Nobody goes faster than the legs they have.If where I want to go is far away, I’m not there in an instant.(6/20/1919)”

“I saw that there is no Nature,That Nature doesn’t exist,That there are hills, valleys, plains,That there are trees, flowers, weeds,That there are rivers and stones,But there is not a whole these belong to,That a real and true wholenessIs a sickness of our ideas.”

“He should be happy because he can think about the unhappiness of others!He’s stupid if he doesn’t know other people’s unhappiness is theirs,And isn’t cured from the outside,Because suffering isn’t like running out of ink,Or a trunk not having iron bands!There being injustice is like there being death.”

“I think about this, not like someone thinking, but like someone breathing,And I look at flowers and I smile…I don’t know if they understand meOr if I understand them,But I know the truth is in them and in meAnd in our common divinityOf letting ourselves go and live on the EarthAnd carrying us in our arms through the contented SeasonsAnd letting the wind sing us to sleepAnd not have dreams in our sleep.”

“It’s stranger than every strangenessAnd the dreams of all the poetsAnd the thoughts of all the philosophers,That things are really what they seem to beAnd there’s nothing to understand.”

“I’m glad I see with my eyes and not the pages I’ve read.”

“The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian’s ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan’s delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism was a necessity, they seemed the doorkeepers of my world, shutting out all that was not of as affluent a beauty as their own; and for a moment I thought as I had thought in so many other moments, that it was possible to rob life of every bitterness except the bitterness of death; and then a thought which had followed this thought, time after time, filled me with a passionate sorrow.”

“I was born subject like others to errors and defects,But never to the error of wanting to understand too much,Never to the error of wanting to understand only with the intellect..Never to the defect of demanding of the WorldThat it be anything that’s not the World.”