All Quotes By Tag: Poetry

“No matter the disappointment, you simply cannot divorce your favorite team.”

“Blackadder was fifty-four and had come to editing Ash out of pique. He was the son and grandson of Scottish schoolmasters. His grandfather recited poetry on firelight evenings: Marmion, Childe Harold, Ragnarok. His father sent him to Downing College in Cambridge to study under F. R. Leavis. Leavis did to Blackadder what he did to serious students; he showed him the terrible, the magnificent importance and urgency of English literature and simultaneously deprived him of any confidence in his own capacity to contribute to, or change it. The young Blackadder wrote poems, imagined Dr Leavis’s comments on them, and burned them.”

“لا تحاول أن تقلص أوراق الشجر المتساقطة، لأن عمرك الخريف كله.”

“In fiction, the characters have their own lives. They may start as a gloss on the author’s life, but they move on from there. In poetry, especially confessional poetry but in other poetry as well, the poet is not writing characters so much as emotional truth wrapped in metaphor. Bam! Pow! A shot to the gut.”

“You cannot devote your life to an abstraction. Indeed, life shatters all abstractions in one way or another, including words such as “faith” or “belief”. If God is not in the very fabric of existence for you, if you do not find Him (or miss Him!) in the details of your daily life, then religion is just one more way to commit spiritual suicide.”

“The mimicry of passion is the most intolerable of all poses.”

“a happy birthdaythis evening, I sat by an open windowand read till the light was gone and the bookwas no more than a part of the darkness.I could easily have switched on a lamp,but I wanted to ride the day down into night,to sit alone, and smooth the unreadable pagewith the pale gray ghost of my hand”

“Those moments before a poem comes, when the heightened awareness comes over you, and you realize a poem is buried there somewhere, you prepare yourself. I run around, you know, kind of skipping around the house, marvelous elation. It’s as though I could fly.”

“Little WordsWhen you are gone, there is nor bloom nor leaf,Nor singing sea at night, nor silver birds;And I can only stare, and shape my griefIn little words.I cannot conjure loveliness, to drownThe bitter woe that racks my cords apart.The weary pen that sets my sorrow downFeeds at my heart.There is no mercy in the shifting year,No beauty wraps me tenderly about.I turn to little words- so you, my dear,Can spell them out.”

“تعالحقيقةأو أخرجمن أحلامي”

“Read for yourselves, read for the sake of your inspiration, for the sweet turmoil in your lovely head. But also read against yourselves, read for questioning and impotence, for despair and erudition, read the dry sardonic remarks of cynical philosophers like Cioran or even Carl Schmitt, read newspapers, read those who despise, dismiss or simply ignore poetry and try to understand why they do it. Read your enemies, read those who reinforce your sense of what’s evolving in poetry, and also read those whose darkness or malice or madness or greatness you can’t understand because only in this way will you grow, outlive yourself, and become what you are.”

“Imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.”

“سريري غيمة ووسادتي من نجوم وقلبي نصف قمر مضيء”

“Those hours given over to basking in the glow of an imaginedfuture, of being carried away in streams of promise by a love ora passion so strong that one felt altered forever and convincedthat even the smallest particle of the surrounding world wascharged with purpose of impossible grandeur; ah, yes, andone would look up into the trees and be thrilled by the wind-loosened river of pale, gold foliage cascading down and by thehigh, melodious singing of countless birds; those moments, somany and so long ago, still come back, but briefly, like firefliesin the perfumed heat of summer night.”

“I wasn’t reading poetry because my aim was to work my way through English Literature in Prose A–Z.But this was different.I read [in, Murder in the Cathedral by T.S. Eliot]: This is one moment, / But know that another / Shall pierce you with a sudden painful joy.I started to cry.(…)The unfamiliar and beautiful play made things bearable that day, and the things it made bearable were another failed family—the first one was not my fault, but all adopted children blame themselves. The second failure was definitely my fault.I was confused about sex and sexuality, and upset about the straightforward practical problems of where to live, what to eat, and how to do my A levels.I had no one to help me, but the T.S. Eliot helped me.So when people say that poetry is a luxury, or an option, or for the educated middle classes, or that it shouldn’t be read at school because it is irrelevant, or any of the strange and stupid things that are said about poetry and its place in our lives, I suspect that the people doing the saying have had things pretty easy. A tough life needs a tough language—and that is what poetry is. That is what literature offers—a language powerful enough to say how it is.It isn’t a hiding place. It is a finding place.”