“The baby should always be saved in preference to the mother. That is the advice of the Holy Church, you know that. I was only reminding women of their duty. There is no need to make everything so personal, Margaret. You make everything into your own tragedy.”

“Men die in battle; women die in childbirth.”

“I had never been into society; for me the world was the enclosure of the college and the seminary. I had a vague knowledge that there was a something called woman, but I never dwelt upon the subject; I was absolutely innocent. I saw my infirm old mother only twice a year; that was the extent of my connection with the outside world.”

“Women have been trained in our culture and society to ask for what we want instead of taking what we want. We’ve been really indoctrinated with this culture of permission. But that time has passed.”

“How can so many (white, male) writers narratively justify restricting the agency of their female characters on the grounds of sexism = authenticity while simultaneously writing male characters with conveniently modern values?The habit of authors writing Sexism Without Sexists in genre novels is seemingly pathological. Women are stuffed in the fridge under cover of “authenticity” by secondary characters and villains because too many authors flinch from the “authenticity” of sexist male protagonists. Which means the yardstick for “authenticity” in such novels almost always ends up being “how much do the women suffer”, instead of – as might also be the case – “how sexist are the heroes”.And this bugs me; because if authors can stretch their imaginations far enough to envisage the presence of modern-minded men in the fake Middle Ages, then why can’t they stretch them that little bit further to put in modern-minded women, or modern-minded social values? It strikes me as being extremely convenient that the one universally permitted exception to this species of “authenticity” is one that makes the male heroes look noble while still mandating that the women be downtrodden and in need of rescuing.-Comment at Staffer’s Book Review 4/18/2012 to “Michael J. Sullivan on Character Agency ”

“I don’t compete against other women. To uplift others means I’m never looking down on them. I applaud their strength, and I remind them that we never know how strong we are until we are tested. And this life will test you… But it’s not a competition. I want us all to make it.”

“How to raise sons who respect women:Never give them the opportunity to see you disrespect yourself.”

“In writing, a good guy must never break any of the Ten Commandments. A bad guy must break every one. That’s why writing female characters is so much fun. They’re not GUYS at all.”

“…and that casual glance was the beginning of a cataclysm of love that still had not ended half a century later.”

“Trust me: if it doesn’t match: it will clash! Focusing on a stunning complimentary color instead of a close-but-not-quite-right one is one of the most helpful contributions you can make to the design.”

“And middle-class women, although taught to value established forms, are in the same position as the working class: neither can use established forms to express what the forms were never intended to express (and may very well operate to conceal).”

“Never before have you had the chance to build a personal brain like you can today.”

“Locking in your brand and pairing it with a coherent story is the first step to being a rainmaker.”

“When it comes to rain making that all followers are equally valuable. Some people have a lot more influence than others.”

“When you present your brand consistently people come to know what to expect from you and ultimately look to you for insights and leadership in your niche.”