“We are the thoughts we choose to keep.”

“The artist must manage to make posterity believe that he never existed.”

“Because of the earth’s roundness, Genghis Khan, in the fever of possession and destruction, hastened his own overthrow by invading lands that he had already razed and conquered. Not only is it impossible to know from where we come, but also from whom we come: nothing in common, in any case, with those who pass for being the “authors of our days” – which days? Better to invent a genealogy based on pure whim and the leanings of our hearts, but what if they don’t agree?”

“he best thing to do is to loosen my grip on my pen and let it go wandering about until it finds an entrance. There must be one – everything depends on the circumstances, a rule applicable as much to literary style as to life. Each word tugs another one along, one idea another, and that is how books, governments and revolutions are made – some even say that is how Nature created her species.”

“It seems to me, alas, that if you can so thoroughly dissect your children who are still to be born, you don’t get horny enough to actually to father them.”

“Well, they each seem to do one thing well enough, but fail to realize that literature depends on doing several things well at the same time.”

“..the writer’s obsession – the desire to know and communicate, or, rather, to know everything so as to communicate with the greatest degree of precision.”

“I have long gone about with a conviction on my mind that I had a work to do—a Work, if you like, with a great W; a Purpose to fulfil; … a Great Social Evil to Discover and to Remedy.”

“This time it was the sentence opening the last part of a story I had worked on for months: a sentence as is often worked off paper first. The pace of narrative and interest in character do not readily help the writer’s hand to set down a sentence of that order. For though characters must take things in their own stride – somewhere in his story the writer cannot hold back this sentence that judges them. He wants it unobtrusive to his pace and the characters that caused him to write. The difficulty is to judge without seeming to be there, with a finality in the words that will make them casual and part of the story itself, except perhaps to another age.”

“I thought about how all that mattered, in all entirety, and all I wanted, and all I could see anything being worth anything for, was being a writer.”

“I now understand that writing fiction was a seed planted in my soul, though I would not be ready to grow that seed for a long time.”

“Many people are partial to the notion that . . . all writers are somehow mere vessels for Truth and Beauty when they compose. That we are not really in control. This is a variation on that twee little fable that writers like to pass off on gullible readers, that a character can develop a will of his own and ‘take over a book.’ This makes writing sound supernatural and mysterious, like possession by faeries. The reality tends to involve a spare room, a pirated copy of MS Word, and a table bought on sale at Target. A character can no more take over your novel than an eggplant and a jar of cumin can take over your kitchen.”

“This story was a story of our time. And a writer’s attempts not to fathom his time amount but to sounding his mind in it.”

“Though the immediate impression of rebellion may obscure the fact, the task of authentic literature is nevertheless only conceivable in terms of a desire for fundamental communication with the reader.”