“Writing comics? Still the best job in the world. I sit around all day making shit up and see it illustrated, in 99% of cases, exactly as I imagined it — if not better. I’ve been doing this a long time now, and I’m going to do it until I die. Which probably won’t be long, given the constant insane deadline pressure.”

“Chris Claremont once said of Alan Moore, “if he could plot, we’d all have to get together and kill him.” Which utterly misses the most compelling part of Alan’s writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.”

“Writer’s block? I’ve heard of this. This is when a writer cannot write, yes? Then that person isn’t a writer anymore. I’m sorry, but the job is getting up in the fucking morning and writing for a living.”

“The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore’s best graphic novel to date, brilliantly illustrated by Eddie Campbell. It’s hard to describe just how much better the book is.It’s like, “If the movie was an episode of Battlestar Galactica with a guest appearance by the Smurfs and everyone spoke Dutch, the graphic novel is Citizen Kane with added sex scenes and music by your favourite ten bands and everyone in the world you ever hated dies at the end.” That’s how much better it is.”

“You’re miserable, edgy and tired. You’re in the perfect mood for journalism.”

“Drinking is fun! It makes me feel horrible and sexy!”

“Dance like you’re stamping on a human face forever, love like you’ve been in a serious car crash that minced the front of your brain, stab like no one can arrest you, and live like there’s no such thing as God.”

“I want a tattoo over my heart that reads TRY HARDER YOU LAZY PARAMEDIC SHITBAG OR I WILL HAUNT YOUR BEDROOM FOREVER”