Quotes By Author: philip larkin
“What do they think has happened, the old fools,To make them like this? Do they somehow supposeIt’s more grown-up when your mouth hangs open and drools,And you keep on pissing yourself, and can’t rememberWho called this morning? Or that, if they only chose,They could alter things back to when they danced all night,Or went to their wedding, or sloped arms some September?Or do they fancy there’s really been no change,And they’ve always behaved as if they were crippled or tight,Or sat through days of thin continuous dreamingWatching the light move? If they don’t (and they can’t), it’s strange; Why aren’t they screaming?”
“I’m terrified of the thought of time passing (or whatever is meant by that phrase) whether I ‘do’ anything or not. In a way I may believe, deep down, that doing nothing acts as a brake on ‘time’s – it doesn’t of course. It merely adds the torment of having done nothing, when the time comes when it really doesn’t matter if you’ve done anything or not.”
“Saki says that youth is like hors d’oeuvres: you are so busy thinking of the next courses you don’t notice it. When you’ve had them, you wish you’d had more hors d’oeuvres.”
“Dear, I can’t write, it’s all a fantasy: a kind of circling obsession.”
“Everyone should be forcibly transplanted to another continent from their family at the age of three.”
“There is bad in all good authors: what a pity the converse isn’t true!”
“When I throw back my head and howlPeople (women mostly) sayBut you’ve always done what you want, You always get your way- A perfectly vile and foulInversion of all that’s been.What the old ratbags meanIs I’ve never done what I don’t.So the shit in the shuttered chateauWho does his five hundred wordsThen parts out the rest of the dayBetween bathing and booze and birdsIs far off as ever, but soIs that spectacled schoolteaching sod(Six kids, and the wife in pod, And her parents coming to stay)…Life is an immobile, locked, Three-handed struggle betweenYour wants, the world’s for you, and (worse)The unbeatable slow machineThat brings what you’ll get. Blocked, They strain round a hollow stasisOf havings-to, fear, faces.Days sift down it constantly. Years.–The Life with the Hole in It”
“I feel the only thing you can do about life is to preserve it, by art if you’re an artist, by children if you’re not.”
“Loneliness clarifies. Here silence standsLike heat. Here leaves unnoticed thicken, Hidden weeds flower, neglected waters quicken, Luminously-peopled air ascends; And past the poppies bluish neutral distance Ends the land suddenly beyond a beach Of shapes and shingle. Here is unfenced existence: Facing the sun, untalkative, out of reach.”
“Always too eager for the future, wePick up bad habits of expectancy.Something is always approaching; every dayTill then we say,Watching from a bluff the tiny, clear,Sparkling armada of promises draw near.How slow they are! And how much time they waste,Refusing to make haste!Yet still they leave us holding wretched stalksOf disappointment, for, though nothing balksEach big approach, leaning with brasswork prinked,Each rope distinct,Flagged, and the figurehead with golden titsArching our way, it never anchors; it’sNo sooner present than it turns to past.Right to the lastWe think each one will heave to and unloadAll good into our lives, all we are owedFor waiting so devoutly and so long.But we are wrong:Only one ship is seeking us, a black-Sailed unfamiliar, towing at her backA huge and birdless silence. In her wakeNo waters breed or break.- Next, Please”
“Rather than words comes the thought of high windows:The sun-comprehending glass,And beyond it, the deep blue air, that showsNothing, and is nowhere, and is endless.”
“Uncontradicting solitudeSupports me on its giant palm;And like a sea-anemoneOr simple snail, there cautiouslyUnfolds, emerges, what I am.”
“Morning, noon & bloody night,Seven sodding days a week,I slave at filthy WORK, that mightBe done by any book-drunk freak.This goes on until I kick the bucket.FUCK IT FUCK IT FUCK IT FUCK IT”
“I work all day, and get half-drunk at night. Waking at four to soundless dark, I stare. In time the curtain-edges will grow light. Till then I see what’s really always there: Unresting death, a whole day nearer now, Making all thought impossible but how And where and when I shall myself die. Arid interrogation: yet the dread Of dying, and being dead, Flashes afresh to hold and horrify. The mind blanks at the glare. Not in remorse —The good not done, the love not given, time Torn off unused—nor wretchedly because An only life can take so long to climb Clear of its wrong beginnings, and may never; But at the total emptiness for ever, The sure extinction that we travel to And shall be lost in always. Not to be here, Not to be anywhere, And soon; nothing more terrible, nothing more true. This is a special way of being afraid No trick dispels. Religion used to try, That vast moth-eaten musical brocade Created to pretend we never die, And specious stuff that says No rational being Can fear a thing it will not feel, not seeing That this is what we fear—no sight, no sound, No touch or taste or smell, nothing to think with, Nothing to love or link with, The anaesthetic from which none come round. And so it stays just on the edge of vision, A small unfocused blur, a standing chill That slows each impulse down to indecision. Most things may never happen: this one will, And realisation of it rages out In furnace-fear when we are caught without People or drink. Courage is no good: It means not scaring others. Being brave Lets no one off the grave. Death is no different whined at than withstood. Slowly light strengthens, and the room takes shape. It stands plain as a wardrobe, what we know, Have always known, know that we can’t escape, Yet can’t accept. One side will have to go. Meanwhile telephones crouch, getting ready to ring In locked-up offices, and all the uncaring Intricate rented world begins to rouse. The sky is white as clay, with no sun. Work has to be done. Postmen like doctors go from house to house.- Aubade”
“What will survive of us is love.- from A Writer”
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