“There is only one way: Go within. Search for the cause, find the impetus that bids you write. Put it to this test: Does it stretch out its roots in the deepest place of your heart? Can you avow that you would die if you were forbidden to write? Above all, in the most silent hour of your night, ask yourself this: Must I write? Dig deep into yourself for a true answer. And if it should ring its assent, if you can confidently meet this serious question with a simple, “I must,” then build your life upon it. It has become your necessity. Your life, in even the most mundane and least significant hour, must become a sign, a testimony to this urge.”

“not writing is not good but trying to write when you can’t is worse.”

“To say that a writer’s hold on reality is tenuous is an understatement-it’s like saying the Titanic had a rough crossing. Writer’s build their own realities, move into them and occasionally send letters home. The only difference between a writer and a crazy person is that a writer gets paid for it.”

“All Poets are mad.”

“Perhaps writing a story or a novel was not something that should be done for money, or to win praise, but for the sheer sensual pleasure of it. I liked that idea. It made me want to write lots of stories, to give myself that pleasure.”

“No, she wasn’t losing language. She was choking on it.”

“A man needed somebody. There wasn’t anybody around, so you had to make up somebody, make him up to be like a man should be. It wasn’t make-believe or cheating. The other way was make-believe and cheating: living your life without a man like him around.”

“Nature fits all her children with something to do, he who would write and can’t write, can surely review.”

“Once, Turner had himself lashed to the mast of a ship for several hours, during a furious storm, so that he could later paint the storm. Obviously, it was not the storm itself that Turner intended to paint. What he intended to paint was a representation of the storm. One’s language is frequently imprecise in that manner, I have discovered.”

“Treat your relationship with your writing as an important one. Seperti hubungan kamu dengan pacar, teman-teman dan keluarga. Temukan komitmen untuk terus berjalan maju, dan tentukan target untuk tulisanmu (secara waktu, juga secara kualitas), lalu terapkan disiplin untuk mencapai deadline.”

“[T]he success of every novel — if it’s a novel of action — depends on the high spots. The thing to do is to say to yourself, “What are my big scenes?” and then get every drop of juice out of them.”(Interview, The Paris Review, Issue 64, Winter 1975)”

“I think the mystery of art lies in this, that artists’ relationship is essentially with their work — not with power, not with profit, not with themselves, not even with their audience.”

“It is almost as if you were frantically constructing another world while the world that you live in dissolves beneath your feet, and that your survival depends on completing this construction at least one second before the old habitation collapses.”

“So write your story as it needs to be written. Write it honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.”

“You can’t eat [literature], that’s the problem,” he said. “I’ve tried, it’s very dry, and not at all nutritious.”