“I am 23 and I am learning what it means to be an artist, for I am not an artist, because it takes life and a life lived well, to the limit, to see the patterns in storms, but I am 23 and I am learning. I am learning shame and solitude, forgiveness and goodbyes. I’m learning persistence and the closing of doors, the way the seasons come and go as I keep walking on these roads, back and forth, to find myself in new time zones, new arms with new phrases and new goals. And it hurts to become, hurts to find out about the poverty and gaps, the widow and the leavers. It hurts to accept that it hurts and it hurts to learn how easy it is for people to not need other people. Or how easy it is to need other people but that you can never build a home in someone’s arms because they will let go one day, and you must build your own.”

“Writing temporarily arrests the relentless passage of time, but nothing can halt the propensity of passing days to bring change to the corporeal structure of human beings.”

“Writing like this is a little like milking a cow: the milk is so rich and delicious, and the cow is so glad you did it.”

“He wastes his time over his writing, trying to accomplish what geniuses and rare men with college educations sometimes accomplish.”

“Sooner or later every writer evolves his own definition of a story.Mine is: A reflection of life plus beginning and end (life seems not to have either) and a meaning.”

“For the length of time it takes to write a book, you need to believe that you’re the only writer in existence; the only one who matters. You need to shut yourself away and allow the creativity to build up, not leak out through worry and comparisons and doubt.”

“I do not think one can assess a writer’s motives without knowing something of his early development. His subject matter will be determined by the age he lives in … but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape.”

“Publication is a marathon, not a sprint. Writing the book is only the start.”

“Editors can be stupid at times. They just ignore that author’s intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don’t make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author’s mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, ‘Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?’. Monet would be ripping his hair out.”

“Writers of fiction embellish reality almost without knowing it.”

“…writing surrounds us: it’s not something we do just in school or on the job but something that is as familiar and everyday as a pair of worn sneakers or the air we breathe.”

“There is nothing harder to estimate than a writer’s time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer’s time isn’t worth the paper he is not writing anything on.”

“[A] writer’s most powerful weapon, his true strength, was his intuition, and regardless of whether he had any talent, if the critics combined to discredit an author’s nose for things, he would be reduced to a fearful creature who took a mistakenly guarded, absurdly cautious approach to his work, which would end up stifling his latent genius.”

“What I’ve learned about writing is that sometimes less is more, while often more is grander. And both are true.”

“We are the thoughts we choose to keep.”