“The average artist has a naïve, unrealistic, and disconnected view of what the music industry is, how it works, what is involved in “making it”, and what actually is happening behind the scenes. Too many artists take at face value what they see on some TV documentary or read in a fan magazine. Whether you are working with others in a band, looking to connect with a manager, an agent, a label, or an investor, or you just want to work in the industry, it is more crucial than ever to know what you are working for and toward.”

“The task of the artist at any time is uncompromisingly simple — to discover what has not yet been done, and to do it.”

“For some young artists, it can take a bit of time to discover which tools (which medium, or genre, or career pathway) will truly suit them best. For me, although many different art forms attract me, the tools that I find most natural and comfortable are language and oil paint; I’ve also learned that as someone with a limited number of spoons it’s best to keep my toolbox clean and simple. My husband, by contrast, thrives with a toolbox absolutely crowded to bursting, working with language, voice, musical instruments, puppets, masks animated on a theater stage, computer and video imagery, and half a dozen other things besides, no one of these tools more important than the others, and all somehow working together. For other artists, the tools at hand might be needles and thread; or a jeweller’s torch; or a rack of cooking spices; or the time to shape a young child’s day….To me, it’s all art, inside the studio and out. At least it is if we approach our lives that way.”

“The artist must manage to make posterity believe that he never existed.”

“But it’s not something new what makes you special and authentic, is what you bring to the table. Your distinct voice. Your interpretation. That is your contribution right there. Your legacy. Your version. Your very own take to [sic] the world to see, taste, and feel.”

“Comfort rarely produces great art.”

“I’ve been strongly influenced, in technique as well as subject matter, by some of the early 20th-century book illustrators — Arthur Rackham and Edmund Dulac in particular, Burne-Jones and other Pre-Raphaelites, and the Arts-&-Crafts movement they engendered. I’m continually inspired by Rembrandt, Breughel (I’ve wondered whether his brilliant “Tower of Babel” had inspired Tolkien’s description of Minas Tyrith), Hieronymous Bosch, Albrecht Durer, and Turner; it’s not necessarily that they influence my work in any particular direction, more that their example raises my spirits, re-affirms my belief in the power of images to move and delight us, and shows me how much further I have to go, how much is possible. Having visited Venice and Florence for the first time, I am besotted with the Italian Renaissance artists — Botticelli, Bellini, da Vinci and others. Their work is calm, controlled, and yet each face and landscape contains such passion. In Botticelli’s paintings, every pebble and every leaf is rendered with a religious devotion; there is reverence inherent in paying such close attention to every stone, turning painting itself into a form of worship, an act of prayer.”

“There is no ready vocabulary to describe the ways in which artists become artists, no recognition that artists must learn to be who they are (even as they cannot help being who they are.) We have a language that reflects how we learn to paint, but not how we learn to paint our paintings. How do you describe the [reader to place words here] that changes when craft swells to art?”Artists come together with the clear knowledge that when all is said and done, they will return to their studio and practice art alone. Period. That simple truth may be the deepest bond we share. The message across time from the painted bison and the carved ivory seal speaks not of the differences between the makers of that art and ourselves, but of the similarities. Today these similarities lay hidden beneath urban complexity — audience, critics, economics, trivia — in a self-conscious world. Only in those moments when we are truly working on our own work do we recover the fundamental connection we share with all makers of art. The rest may be necessary, but it’s not art. Your job is to draw a line from your art to your life that is straight and clear.”

“Writing is the only art form where a good number of the artists make a slice of their living criticizing one another in print, in public. ”

“She preferred the quiet solitary atmosphere, to create in her own world of paint and colour, the thrill of anticipating how her works would turn out as she eyed the blank sheets of paper or canvas before starting her next masterpiece. How satisfying it was to mess around in paint gear, without having to worry about spills, starch or frills, that was the life!”

“Speed is not always a constituent to great work, the process of creation should be given time and thought.”

“The only way to find art is to lose touch with reality.”

“Talent & Skills are useless & won’t get you anywhere, without lot of practice, commitment & prioritization”

“Time and death: It’s the ultimate vision of an artist at the end of everything. It’s just what’s there. It was not something I planned to do.”