“Almost all great writers have as their motif, more or less disguised, the passage from childhood to maturity, the clash between the thrill of expectation and the disillusioning knowledge of truth. ‘Lost Illusion’ is the undisclosed title of every novel.”

“You’re writing, you’re coasting, and you’re thinking, ‘This is the best thing I’ve ever written, and it’s coming so easily, and these characters are so great.’ You put it aside for whatever reason, and you open it up a week later and the characters have turned to cardboard and the book has completely fallen apart,” she says. “That’s the moment of truth for every writer: Can I go on from here and make this book into something? I think it separates the writers from the nonwriters. And I think it’s the reason a lot of people have that unfinished manuscript around the house, that albatross.”

“To be playful is not to be trivial or frivolous, or to act as if nothing of consequence will happen. On the contrary, when we are playful… everything that happens is of consequence, for seriousness is a dread of the unpredictable outcome of open possibility. To be serious is to press for a specified conclusion. To be playful is to allow for unlimited possibility.”

“Best-selling horror fiction is indeed necessarily conservative because it must entertain a large number of readers. It’s like network television. I’m your local cable access station.”

“Timmy, who made a daring escape, also made a mistake of paying the taxi driver with a check made out of toilet paper.”

“As I repeatedly went forth with him and began to understand the ignorance and contradictions and language difficulties with which he contended, and the doubtful sources of his information and the seemingly bottomless history and darkness out of which the dishes of New York emerge, the deeper grew my suspicion that his work finally consisted of minting or perpetuating and in any event circulating misconceptions about his subject and in this way adding to the endless perplexity of the world.”

“This time it was the sentence opening the last part of a story I had worked on for months: a sentence as is often worked off paper first. The pace of narrative and interest in character do not readily help the writer’s hand to set down a sentence of that order. For though characters must take things in their own stride – somewhere in his story the writer cannot hold back this sentence that judges them. He wants it unobtrusive to his pace and the characters that caused him to write. The difficulty is to judge without seeming to be there, with a finality in the words that will make them casual and part of the story itself, except perhaps to another age.”

“I write all these remarks with exactly the same feeling as if I were writing a letter to post into the distant past: I am so sure that everything we now take for granted is going to be utterly swept away in the next decade.(So why write novels? Indeed, why! I suppose we have to go on living as if …)”

“I’m sorry,” Billy says, “but I felt it was too organized. I like ellipses and teeny jottings and spontaneous poems and particularly all those devices like long lists of melancholy things.”

“No complete son of a bitch ever wrote a good sentence.”

“ A true writer should be able to write about any color. It’s the story they tell that should affect people, not the race.”

“I thought about how all that mattered, in all entirety, and all I wanted, and all I could see anything being worth anything for, was being a writer.”

“Only write if you can’t not.”

“I think the responsibility of writers is to convey the feelings that exist in the moment, the moment of that sharp and immediate pang of sour smiles when your heart suddenly starts pumping ice through your veins and becomes difficult and visual perception takes on the appearance of cinematographer on Cops, with unsteady frames and jostling scenes, running through a backyard chasing perpetrators.”

“When the door to my writing chamber gasps shut and the almost imperceptible sigh of a rose petal falls on my desk, I know that my muse is present.”