“… the river is everywhere at once, at the source and at the mouth, at the waterfall, at the ferry, at the rapids, in the sea, in the mountains, everywhere at once, and that there is only the present time for it, not the shadow of the past, not the shadow of the future.”

“Have you also learned that secret from the river; that there is no such thing as time?” That the river is everywhere at the same time, at the source and at the mouth, at the waterfall, at the ferry, at the current, in the ocean and in the mountains, everywhere and that the present only exists for it, not the shadow of the past nor the shadow of the future.”

“Pronto me di cuenta de que estas enseñanzas podían ser un consuelo sólo para los que las aceptaran literalmente y que creyeran ser la verdad. Si fueran, como para mí, en parte bella literatura, parte símbolos intrincados; un intento de explicación mitológica del mundo, uno podría instruirse y apreciarlas, pero uno no aprendería la forma de vivir y sacar fuerza de ellas.”

“Novelists when they write novels tend to take an almost godlike attitude toward their subject, pretending to a total comprehension of the story, a man’s life, which they can therefore recount as God Himself might, nothing standing between them and the naked truth, the entire story meaningful in every detail. I am as little able to do this as the novelist is, even though my story is more important to me than any novelist’s is to him – for this is my story; it is the story of a man, not of an invented, or possible, or idealized, or otherwise absent figure, but of a unique being of flesh and blood, Yet, what a real living human being is made of seems to be less understood today than at any time before, and men – each one of whom represents a unique and valuable experiment on the part of nature – are therefore shot wholesale nowadays. If we were not something more than unique human beings, if each one of us could really be done away with once and for all by a single bullet, storytelling would lose all purpose. But every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world’s phenomena intersect, only once in this way and never again. That is why every man’s story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of every consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.”

“Voll Blüten steht der Pfirsichbaum nicht jede wächst zur Frucht sie schimmern hell wie Rosenschaum durch Blau und Wolkenflucht. Wie Blüten geh’n Gedanken auf hundert an jedem Tag — lass’ blühen, lass’ dem Ding den Lauf frag’ nicht nach dem Ertrag! Es muss auch Spiel und Unschuld sein und Blütenüberfluss sonst wär’ die Welt uns viel zu klein und Leben kein Genuss.”

“Ne, nė vienas žmogus ilgai negalėtų pakelti tokio liepsningo gyvenimo. <...> Niekas negalėtų taip ilgai dieną naktį deginti visus savo žiburius, eikvoti visus savo vulkanus, niekas neįstengtų taip ilgai dieną naktį stovėti liepsnose, kasdien daug valandų su įkaitusia galva mąstyti, nuolatos mėgaudamasis, nuolatos kurdamas, nuolatos šviesus, su budriais jausmais ir nervais nelyginant pilis, už kurios langų kasdien skamba muzika, o naktimis tviska tūkstančiai žvakių.”

“For the first time in my life I tasted death, and death tasted bitter, for death is birth, is fear and dread of some terrible renewal.”

“Ich werde stehen und warten.Ich werde müde werden.Ich werde nicht einschlafen.Ich werde sterben.”

“Obedient to no man, dependent only on weather and season, without a goal before them or a roof above them, owning nothing, open to every whim of fate, the homeless wanderers lead their childlike, brave, shabby existence. They are the sons of Adam, who was driven out of Paradise; the brothers of the animals, of innocence. Out of heaven’s hand they accept what is given them from moment to moment: sun, rain, fog, snow, warmth, cold, comfort, and hardship; time does not exist for them and neither does history, or ambition, or that bizarre idol called progress and evolution, in which houseowners believe so desperately. A wayfarer may be delicate or crude, artful or awkward, brave or cowardly—he is always a child at heart, living in the first day of creation, before the beginning of the history of the world, his life always guided by a few simple instincts and needs. He may be intelligent or stupid; he may be deeply aware of the fleeting fragility of all living things, of how pettily and fearfully each living creature carries its bit of warm blood through the glaciers of cosmic space, or he may merely follow the commands of his poor stomach with childlike greed—he is always the opponent, the deadly enemy of the established proprietor, who hates him, despises him, or fears him, because he does not wish to be reminded that all existence is transitory, that life is constantly wilting, that merciless icy death fills the cosmos all around.”

“Faith is stronger than so-called reason.”

“I called the world of phenomena an illusion, I called my eyes and my tongue and accident, valueless phenomena. No, that is all over; I have awakened, I have really awakened and have just been born today.”

“I felt knowledge and the unity of the world circulate in me like my own blood.”

“There is, so I believe, in the essence of everything, something that we cannot call learning. There is, my friend, only a knowledge-that is everywhere, that is Atman, that is in me and you and in every creature, and I am beginning to believe that this knowledge has no worse enemy than the man of knowledge, than learning.”

“I have always thirsted for knowledge, I have always been full of questions.”

“We fear death, we shudder at life’s instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will soon disappear. When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something last longer than we do.”