“Many men go fishing all of their lives without knowing that it is not fish they are after.”

“A perfectly healthy sentence, it is true, is extremely rare. For the most part we miss the hue and fragrance of the thought; as if we could be satisfied with the dews of the morning or evening without their colors, or the heavens without their azure.”

“Every blade in the field – Every leaf in the forest – lays down its life in its season as beautifully as it was taken up.”

“A sentence should be read as if its author, had he held a plough instead of a pen, could have drawn a furrow deep and straight to the end.”

“It is not enough to be busy; so are the ants. The question is: What are we busy about?”

“Beware of all enterprises that require new clothes.”

“On the death of a friend, we should consider that the fates through confidence have devolved on us the task of a double living, that we have henceforth to fulfill the promise of our friend’s life also, in our own, to the world.”

“Men are born to succeed, not to fail.”

“The animal merely makes a bed, which he warms with his body in a sheltered place; but man, having discovered fire, boxes up some air in a spacious apartment, and warms that, instead of robbing himself, makes that his bed, in which he can move about divested of more cumbrous clothing, maintain a kind of summer in the midst of winter, and by means of windows even admit the light and with a lamp lengthen out the day.”

“How vain it is to sit down to write when you have not stood up to live.”

“Happiness is like a butterfly; the more you chase it, the more it will elude you, but if you turn your attention to other things, it will come and sit comfortably on your shoulder.”

“Our moments of inspiration are not lost though we have no particular poem to show for them; for those experiences have left an indelible impression, and we are ever and anon reminded of them. ”

“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”

“The youth gets together his materials to build a bridge to the moon, or, perchance, a palace or temple on the earth, and, at length, the middle-aged man concludes to build a woodshed with them.”

“Night is certainly more novel and less profane than day.”