Quotes By Author: mary oliver

“How perfect to be aboard a ship withmaybe a hundred years still in my pocket.But it’s late, for all of us,and in truth the only ship there isis the ship we are all onburning the world as we go.”

“oxygen Everything needs it: bone, muscles, and even, while it calls the earth its home, the soul. So the merciful, noisy machine stands in our house working away in its lung-like voice. I hear it as I kneel before the fire, stirring with a stick of iron, letting the logs lie more loosely. You, in the upstairs room, are in your usual position, leaning on your right shoulder which aches all day. You are breathing patiently; it is a beautiful sound. It is your life, which is so close to my own that I would not know where to drop the knife of separation. And what does this have to do with love, except everything? Now the fire rises and offers a dozen, singing, deep-red roses of flame. Then it settles to quietude, or maybe gratitude, as it feeds as we all do, as we must, upon the invisible gift: our purest, sweet necessity: the air.”

“How heron comesIt is a negligence of the mindnot to notice how at duskheron comes to the pond andstands there in his death robes, perfectservant of the system, hungry, his eyesfull of attention, his wingspure light”

“Tom Dancer’s gift of a whitebark pine coneYou never know What opportunity Is going to travel to you, Or through you.Once a friend gave me A small pine cone- One of a few He found in the scatOf a grizzly In Utah maybe, Or Wyoming. I took it homeAnd did what I supposed He was sure I would do- I ate it, ThinkingHow it had traveled Through that rough And holy body. It was crisp and sweet.It was almost a prayer Without words. My gratitude, Tom Dancer, For this gift of the world I adore so much And want to belong to. And thank you too, great bear”

“The sweetness of dogs (fifteen) What do you say, Percy? I am thinkingof sitting out on the sand to watchthe moon rise. Full tonight.So we goand the moon rises, so beautiful it makes me shudder, makes me think abouttime and space, makes me takemeasure of myself: one iotapondering heaven. Thus we sit,I thinking how grateful I am for the moon’s perfect beauty and also, oh! How richit is to love the world. Percy, meanwhile, leans against me and gazes up intomy face. As though I werehis perfect moon.”

“On the beach, at dawn:Four small stones clearlyHugging each other.How many kinds of loveMight there be in the world,And how many formations might they makeAnd who am I everTo imagine I could knowSuch a marvelous business?When the sun brokeIt poured willingly its lightOver the stonesThat did not move, not at all,Just as, to its always generous term,It shed its light on me,My own body that loves, Equally, to hug another body.”

“In your handsThe dog, the donkey, surely they know They are alive.Who would argue otherwise?But now, after years of consideration, I am getting beyond that.What about the sunflowers? What about The tulips, and the pines?Listen, all you have to do is start and There’ll be no stopping.What about mountains? What about water Slipping over rocks?And speaking of stones, what about The little ones you can Hold in your hands, their heartbeats So secret, so hidden it may take yearsBefore, finally, you hear them?”

“Though I play at the edges of knowing, truly I know our part is not knowing, but looking, and touching, and loving”

“And then I feel the sun itselfas it blazes over the hills,like a million flowers on fire –clearly I’m not needed,yet I feel myself turninginto something of inexplicable value.-from The Buddha’s Last Instruction”

“When When it’s over, it’s over, and we don’t know any of us, what happens then.So I try not to miss anything.I think, in my whole life, I have never missed The full moonor the slipper of its coming back.Or, a kiss.Well, yes, especially a kiss.”

“Poem (the spirit likes to dress up) The spirit likes to dress up like this: ten fingers, ten toes,shoulders, and all the rest at night in the black branches, in the morningin the blue branches of the world. It could float, of course, but would ratherplumb rough matter. Airy and shapeless thing, it needs the metaphor of the body,lime and appetite, the oceanic fluids; it needs the body’s world, instinctand imagination and the dark hug of time, sweetness and tangibility,to be understood, to be more than pure light that burns where no one is –so it enters us – in the morning shines from brute comfort like a stitch of lightning;and at night lights up the deep and wondrous drownings of the body like a star.”

“Let me keep my distance, always, from those who think they have the answers.Let me keep company always with those who say “Look!” and laugh in astonishment, and bow their heads.”

“The poet dreams of the mountainSometimes I grow weary of the days, with all their fits and starts.I want to climb some old gray mountains, slowly, takingThe rest of my lifetime to do it, resting often, sleepingUnder the pines or, above them, on the unclothed rocks.I want to see how many stars are still in the skyThat we have smothered for years now, a century at least.I want to look back at everything, forgiving it all,And peaceful, knowing the last thing there is to know.All that urgency! Not what the earth is about!How silent the trees, their poetry being of themselves only.I want to take slow steps, and think appropriate thoughts.In ten thousand years, maybe, a piece of the mountain will fall.”

“Still, what I want in my lifeis to be willingto be dazzled—to cast aside the weight of factsand maybe evento float a littleabove this difficult world.I want to believe I am lookinginto the white fire of a great mystery.I want to believe that the imperfections are nothing—that the light is everything—that it is more than the sumof each flawed blossom rising and falling. And I do.”

“No poet ever wrote a poem to dishonor life, to compromise high ideals, to scorn religious views, to demean hope or gratitude, to argue against tenderness, to place rancor before love, or to praise littleness of soul. Not one. Not ever.”