“The better you know someone, the less well you often see them (and the less well they can therefore be transferred into fiction). They may be so close as to be out of focus, and there is no operating novelist to dispel the blur. ”

“When I work, I’m just translating the world around me in what seems to be straightforward terms. For my readers, this is sometimes a vision that’s not familiar. But I’m not trying to manipulate reality. This is just what I see and hear.”

“If I’m on the ‘short-end of the stick’, there’s a really good chance that it was my shortness of vision that put me there.”

“One of the dumbest things you were ever taught was to write what you know. Because what you know is usually dull. Remember when you first wanted to be a writer? Eight or ten years old, reading about thin-lipped heroes flying over mysterious viny jungles toward untold wonders? That’s what you wanted to write about, about what you didn’t know. So. What mysterious time and place don’t we know?”[Remember This: Write What You Don’t Know (New York Times Book Review, December 31, 1989)]”