“Raindrops are nothing more than a lullaby for the restless soul.”

“Other than along certain emotional tangents there was little in the book that felt as if it had actually been lived. It was a fiction produced by someone who knew only fictions, The Tempest as written by isolate Miranda, raised on the romances in her father’s library.”

“Fiction—good fiction, anyway—is dream made flesh, given purpose and drive, and set on a quest to show us the best in us and to give us the power and the tools to dream beyond reality’s ‘merely good enough’ to a vision of what is truly great……and then to give us the stories of men and women of character who in turn inspire those of us who dare to reach for the truly great within ourselves.THAT is why you write fiction.”

“They had created themselves together, and they always saw themselves, their youth, their love, their lost youth and lost love, their failures and memories, as a sort of living fiction.”

“The difference between real life and a story is that life has significance, while a story must have meaning.The former is not always apparent, while the latter always has to be, before the end.”

“The book was blunt and had an honesty about it, whereas the movie was just a beautiful lie.”

“Fiction becomes visual by becoming verbal”

“…required for good fiction: character, conflict, change through time. And if you’re really blessed, you get resolution. But life doesn’t usually work out that way.”

“The first story I have to tell is not exactly true, but it isn’t exactly false, either.”

“There’s always moral instruction whether the writer inserts it deliberately or not. The least effective moral instruction in fiction is that which is consciously inserted. Partly because it won’t reflect the storyteller’s true beliefs, it will only reflect what he BELIEVES he believes, or what he thinks he should believe or what he’s been persuaded of. But when you write without deliberately expressing moral teachings, the morals that show up are the ones you actually live by. The beliefs that you don’t even think to question, that you don’t even notice– those will show up. And that tells much more truth about what you believe than your deliberate moral machinations.”

“There were no absolutes in fiction, no certain way to deliver what was needed. So it was no surprise most technical writers considered novel-writing a gateway to madness.”

“Paul Robinson, I’m coming, it has taken me a while, but I have almost caught up with you. Keep running, if you cannot run walk, if you cannot walk crawl, if you cannot do this dream. Paul Robinson author.”

“The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it’s about and why you’re doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising… and it’s magic and wonderful and strange.”

“The novel is perhaps the highest art form because it so closely resembles life: it is about human relationships. It’s technique, page by page, resembles our technique of living day by day–a way of relating.”

“It is not the task of a writer to ‘tell all,’ or even to decide what to leave in, but to decide what to leave out. Whatever remains, that meager sum of this profane division, that’s the bastard chimera we call a ‘story.’ I am not building, but cutting away. And all stories, whether advertised as truth or admitted falsehoods, are fictions, cleft from the objective facts by the aforementioned action of cutting away. A pound of flesh. A pile of sawdust. Discarded chips of Carrara marble. And what’s left over.”Houses Under The Sea”