“The writing of solid, instructive stuff fortified by facts and figures is easy enough. There is no trouble in writing a scientific treatise on the folk-lore of Central China, or a statistical enquiry into the declining population of Prince Edward Island. But to write something out of one’s own mind, worth reading for its own sake, is an arduous contrivance only to be achieved in fortunate moments, few and far in between. Personally, I would sooner have written Alice in Wonderland than the whole Encyclopedia Britannica.”

“…required for good fiction: character, conflict, change through time. And if you’re really blessed, you get resolution. But life doesn’t usually work out that way.”

“There’s always moral instruction whether the writer inserts it deliberately or not. The least effective moral instruction in fiction is that which is consciously inserted. Partly because it won’t reflect the storyteller’s true beliefs, it will only reflect what he BELIEVES he believes, or what he thinks he should believe or what he’s been persuaded of. But when you write without deliberately expressing moral teachings, the morals that show up are the ones you actually live by. The beliefs that you don’t even think to question, that you don’t even notice– those will show up. And that tells much more truth about what you believe than your deliberate moral machinations.”

“There were no absolutes in fiction, no certain way to deliver what was needed. So it was no surprise most technical writers considered novel-writing a gateway to madness.”

“I have always held the old-fashioned opinion that the primary object of work of fiction should be to tell a story.”

“Romance has been elegantly defined as the offspring of fiction and love.”

“Fiction that adds up, that suggests a “logical consistency,” or an explanation of some kind, is surely second-rate fiction; for the truth of life is its mystery.”

“A good piece of fiction, in my view, does not offer solutions. Good stories deal with our moral struggles, our uncertainties, our dreams, our blunders, our contradictions, our endless quest for understanding. Good stories do not resolve the mysteries of the human spirit but rather describe and expand up on those mysteries.”

“In the end, fiction is the craft of telling truth through lies.”

“There is no excuse for anyone to write fiction for public consumption unless he has been called to do so by the presence of a gift. It is the nature of fiction not to be good for much unless it is good in itself.”

“There are people who think that things that happen in fiction do not really happen. These people are wrong.”

“If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.”

“There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored. The reader of today looks for this motion, and rightly so, but what he has forgotten is the cost of it. His sense of evil is diluted or lacking altogether, and so he has forgotten the price of restoration. When he reads a novel, he wants either his sense tormented or his spirits raised. He wants to be transported, instantly, either to mock damnation or a mock innocence.”

“A good story is always more dazzling than a broken piece of truth.”

“A good book isn’t written, it’s rewritten.”