“To breathe is to live, but to write unimpeded is to breathe eternal.”

“I’ve always known that the best part of writing occurs before you’ve picked up a pen. When a story exists only in your mind, its potential is infinite; it’s only when you start pinning words to paper that it becomes less than perfect. You have to make your choices, set your limits. Start whittling away at the cosmos, and don’t stop until you’ve narrowed it down to a single, ordinary speck of dirt. And in the end, what you’ve made is not nearly as glorious as what you’ve thrown away.”

“I go with the flow but I write against it.”

“There’s always moral instruction whether the writer inserts it deliberately or not. The least effective moral instruction in fiction is that which is consciously inserted. Partly because it won’t reflect the storyteller’s true beliefs, it will only reflect what he BELIEVES he believes, or what he thinks he should believe or what he’s been persuaded of. But when you write without deliberately expressing moral teachings, the morals that show up are the ones you actually live by. The beliefs that you don’t even think to question, that you don’t even notice– those will show up. And that tells much more truth about what you believe than your deliberate moral machinations.”

“For me, that emotional payoff is what it’s all about. I want you to laugh or cry when you read a story…or do both at the same time. I want your heart, in other words. If you want to learn something, go to school.”

“The only happy author in this world is he who is below the care of reputation.”

“Start writing by thinking, not wrestling with words.”

“From a tale one expects a bit of wildness, of exaggeration and dramatic effect. The tale has no inherent concern with decorum, balance or harmony. … A tale may not display a great deal of structural, psychological, or narrative sophistication, though it might possess all three, but it seldom takes its eye off its primary goal, the creation of a particular emotional state in its reader. Depending on the tale, that state could be wonder, amazement, shock, terror, anger, anxiety, melancholia, or the momentary frisson of horror.”

“I’m the first to admit that I don’t write right. Now, relax and enjoy the show! The sideshow, that is.”

“Living like that utterly convinced me of the extreme limitations of language. I was just a child then, so I had only an intuitive understanding of the degree to which one losses control of words once they are spoken or written. It was then that I first felt a deep curiosity about language, and understood it as a tool that encompasses both a single moment and eternity.”

“That isn’t writing at all, it’s typing.”

“What writing practice, like Zen practice does is bring you back to the natural state of mind…The mind is raw, full of energy, alive and hungry. It does not think in the way we were brought up to think-well-mannered, congenial.”

“i write, because not breathing is not an option.”

“In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can’t be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all.”

“It is a lie to write in such way as to be rewarded by fame offered you by some snobbish quasi-literary groups in the intellectual gazettes.”