“There is little more I can add short of dissecting the man, or going into intimate details such as the modest proportions and slight southeasterly curvature of his manhood.”

“I don’t think there’s any deep psychological reason. It isn’t comparable, say, to America’s involvement with Vietnam and the emotional scars that that has left behind. A much more cogent way of looking at it is that the British have suddenly realized that they have their own equivalent of the perennial western. We have an immense, extremely colorful, diverse history of the empire, and I think people are just beginning to realize that there are jolly good stories there for the telling.”

“Byron: The luxuries of this place have made me soft.The metal point’s gone from my pen, there’s nothing left but the feather.Gutman:That may be true.But what can you do about it?Byron:Make a departure.Gutman:From yourself?Byron:From my present self to myself as I used to be!Gutman:That’s the furthest departure a man could make!”

“Poetry is the wailing of a broken heart―the etched sorrows of despairing souls.  These artful words are an exclamation in rare colors expressed noiselessly on parchment.  Poetry is the unheard cry of a flower, wilting.  It is a humble, lucent tear shed with meaning.  It is the lovely portrayal of ugliness and the bitter edge of sweet.  Poetry speaks to the spirit by piercing understanding. It interprets all senseless truths―beauty, love, emotion―into sensible scrawl.  Poetry is vague affirmation and bewildering clarification. Like the most poignant of emotions, we understand the essence but cannot adequately do it verbal justice, crippled by inherently weak tongues.  A spiritual soothsayer, poetry is the closest thing to expression of feelings unutterable.”

“The journey from the head to the hand is perilous and lined with bodies. It is the road on which nearly everyone who wants to write—and many of the people who do write—get lost.”

“You don’t know what it is to stay a whole day with your head in your hands trying to squeeze your unfortunate brain so as to find a word.”

“They couldn’t talk. They were not good talkers, either of them. And once, long ago now, she had bought a notebook for a course. It lay empty and forgotten on the kitchen table until one afternoon, when she had gone out to the shops and he was worried that she would be killed by a bus or by lightning, he opened the notebook and he wrote lines about how he loved her, the way he loved her, about his fucking heart and crap like that, about his body brimful and his scrambled head. All that. She came back from the shops. He left the notebook where it was, and he didn’t mention it. And it wasn’t until about a week later that he noticed it again, and he flicked it open, and he saw his lines followed by lines from her. She’d written words that she had never said. He sat down. He read them over and over for a long time. Then he wrote a paragraph for her to find.”

“A writer who’s a pro can take on almost any assignment, but if he or she doesn’t much care about the subject, I try to dissuade the writer, as in that case the book can be just plain hard labor.”

“Faulkner had an egg carton filled with periods and throughout his writing career, used nearly all of them.”

“It’s quite simple. I just don’t feel right without a pen in my hand denting a hole through my notepad.”

“I don’t want to re-write the same old book with the same tired techniques. I’d rather bring something new to the table that’s true to me and that people will have a genuine reaction to. That’s the whole point, isn’t it?”

“Write quickly and you will never write well; write well, and you will soon write quickly.”

“There’s an old rule of theater that goes, ‘If there’s a gun on the mantel in Act I, it must go off in Act III.’ The reverse is also true.”

“Art stands on the shoulders of craft, which means that to get to the art, you must master the craft. If you want to write, practice writing.”

“Writing is not just a process of creation. It is also a process of self-discovery”