“Besides that, his secret – and principal – reason for retiring was to devote himself entirely to his idée fixe, his collection which was becoming ever larger and more complicated. Van Hulle’s concern was no longer simply to have beautiful clocks or rare timepieces; his feelings for them were not simply those one has for inanimate objects. True, their outward appearance was still important, their craftsmanship, their mechanisms, heir value as works of art, but the fact that he had collected so many was for a different reason entirely. It was a result of his strange preoccupation with the exact time. It was no longer enough for him that they were interesting. He was irritated by the differences in time they showed. Above all when they struck the hours and the quarters. One, very old, was deranged and got confused in keeping count of the passage of time, which it had been doing for so long. Others were behind, little Empire clocks with children’s voices almost, as if they had not quite grown up. In short, the clocks were always at variance. They seemed to be running after each other, calling out, getting lost, looking for each other at all the changing crossroads of time.”

“Hell was full of clocks, he was sure of it. There was no torment, after all, that could not be exacerbated by a contemplation of time passing. The large case clock at the end of the corridor had a particularly penetrating tick-tock, audiable above and through all the noises of the house. It seemed to Lord John Grey to echo his own heartbeats, each one a step on the road towards death.”

“Clocks will always have different sized hands, but not feet.”

“I miss the floral scent of her hair, the perfume that barely masked the underlying truth of what she was. She was lost time. She smelled of dusty libraries and unwound clocks, salted sand and rain riding on the first rays of dawn. And lilac. When she held me to her, lilac was what I smelled first.”

“She was lost time. She smelled of dusty libraries and unwound clocks, salted sand and rain riding on the first rays of dawn.”

“The schoolroom clock was worn raw by stares; and you couldn’t look up at the big Puritanical face of it and not feel the countless years of young eyes reflected in it, urging it onwards. It was a dark, old spirit that didn’t so much mark time as bequeath it.”

“Any clock that can track this sideral schedule proves itself as perfect as God’s magnificent clockwork.Dava Sobel”

“Time can play all sorts of tricks on you. In the blink of an eye, babies appear in carriages, coffins disappear into the ground, wars are won and lost, and children transform, like butterflies, into adults. That’s what happened to me. Once upon a time, I was a boy named Hugo Cabret, and I desperately believed that a broken automaton would save my life. Now that my cocoon has fallen away and I have emerged as a magician named Professor Alcofrisbas, I can look back and see that I was right. The automaton my father discovered did save me. But now I have built a new automaton. I spent countless hours designing it. I made every gear myself, carefully cut every brass disk, and fashioned every bt of machinery with my own hands. When you wind it up, it can do something I’m sure no other automaton in the world can do. It can tel you the incredible story of Georges Melies, his wife, their goddaughter, and a beloved clock maker whose son grew up to be a magician. The complicated machinery inside my automaton can produce one-hundred and fifty-eight different pictures, and it can wrote, letter, by letter, an entire book, twenty-six thousand one hundred and fifty-nine words. These words. THE END”

“And so I told myself to take that one. Because Father said clocks slay time. He said time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life. The hands were extended, slightly off the horizontal at a faint angle, like a gull tilting into the wind.”

“The time would not pass. Somebody was playing with the clocks, and not only the electronic clocks but the wind-up kind too. The second hand on my watch would twitch once, and a year would pass, and then it would twitch again.There was nothing I could do about it. As an Earthling I had to believe whatever clocks said -and calendars.”

“I object to being told that I am saving daylight when my reason tells me that I am doing nothing of the kind… At the back of the Daylight Saving scheme, I detect the bony, blue-fingered hand of Puritanism, eager to push people into bed earlier, and get them up earlier, to make them healthy, wealthy, and wise in spite of themselves.”

“The Clock on the Morning Lenape BuildingMust Clocks be circles?Time is not a circle.Suppose the Mother of All Minutes startedright here, on the sidewalkin front of the Morning Lenape Building, and the paradeof minutes that followed–each of them, say, one inch long–headed out that way, down Bridge Street.Where would Now be? This minute?Out past the moon?Jupiter?The nearest star?Who came up with minutes, anyway?Who needs them?Name one good thing a minute’s ever done.They shorten fun and measure misery.Get rid of them, I say.Down with minutes!And while you’re at it–take hourswith you too. Don’t get me startedon them.Clocks–that’s the problem.Every clock is a nest of minutes and hours.Clocks strap us into their shape.Instead of heading for the nearest star, all we dois corkscrew.Clocks lock us into minutes, make Ferris wheel riders of us all, lug us round and roundfrom number to number,dice the time of our lives into tiny bitsuntil the bits are all we knowand the only question we care to ask is”What time is it?”As if minutes could tell.As if Arnold could look up at this clock onthe Lenape Building and read:15 Minutes till Found.As if Charlie’s time is not forever stuckon Half Past Grace.As if a swarm of stinging minutes waits for Betty Lou to step outside.As if love does not tell all the time the Huffelmeyersneed to know.”