“all they want to dois tie the poem to a chair with ropeand torture a confession out of it.They begin beating it with a hoseto find out what it really means.”

“You may write me down in historyWith your bitter, twisted lies,You may tread me in the very dirtBut still, like dust, I’ll rise.Does my sassiness upset you? Why are you beset with gloom? ‘Cause I walk like I’ve got oil wellsPumping in my living room.Just like moons and like suns,With the certainty of tides,Just like hopes springing high,Still I’ll rise.Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops.Weakened by my soulful cries.Does my haughtiness offend you? Don’t you take it awful hard’Cause I laugh like I’ve got gold minesDiggin’ in my own back yard.You may shoot me with your words,You may cut me with your eyes,You may kill me with your hatefulness,But still, like air, I’ll rise.Does my sexiness upset you? Does it come as a surpriseThat I dance like I’ve got diamondsAt the meeting of my thighs? Out of the huts of history’s shameI riseUp from a past that’s rooted in painI riseI’m a black ocean, leaping and wide,Welling and swelling I bear in the tide.Leaving behind nights of terror and fearI riseInto a daybreak that’s wondrously clearI riseBringing the gifts that my ancestors gave,I am the dream and the hope of the slave.I riseI riseI rise.”

“There is no Space or TimeOnly intensity, And tame thingsHave no immensity”

“If you cannot be a poet, be the poem.”

“The season was waning fastOur nights were growing cold at lastI took her to bed with silk and song,’Lay still, my love, I won’t be long;I must prepare my body for passion.”O, your body you give, but all else you ration.”It is because of these dreams of a sylvan scene:A bleeding nymph to leave me serene…I have dreams of a trembling wench.”You have dreams,’ she said, ‘that cannot be quenched.”Our passion,’ said I, ‘should never be feared;As our longing for love can never be cured.Our want is our way and our way is our will,We have the love, my love, that no one can kill.”If night is your love, then in dreams you’ll fulfill…This love, our love, that no one can kill.’Yet want is my way, and my way is my will,Thus I killed my love with a sleeping pill.”

“Fear of joy is the darkest of captivities.”

“I wrote too many poems in a language I did not yet know how to speakBut I know now it doesn’t matter how well I say grace if I am sitting at a table where I am offering no bread to eatSo this is my wheat fieldyou can have every acre, Lovethis is my garden songthis is my fist fightwith that bitter frosttonight I begged another stage light to become that back alley street lamp that we danced beneaththe night your warm mouth fell on my timid cheekas i sang maybe i need youoff keybut in tunemaybe i need you the way that big moon needs that open seamaybe i didn’t even know i was here til i saw you holding megive me one room to come home togive me the palm of your handevery strand of my hair is a kite stringand I have been blue in the face with your skycrying a flood over Iowa so you mother will wake to Venice Lover, I smashed my glass slipper to build a stained glass window for every wall inside my chestnow my heart is a pressed flower and a tattered bibleit is the one verse you can trustso I’m putting all of my words in the collection plateI am setting the table with bread and gracemy knees are bentlike the corner of a pageI am saving your place”

“The poet must always, in every instance, have the vibrant word… that by it’s trenchancy can so wound my soul that it whimpers…. One must know and recognize not merely the direct but the secret power of the word; one must be able to give one’s writing unexpected effects. It must have a hectic, anguished vehemence, so that it rushes past like a gust of air, and it must have a latent, roistering tenderness so that it creeps and steals one’s mind; it must be able to ring out like a sea-shanty in a tremendous hour, in the time of the tempest, and it must be able to sigh like one who, in tearful mood, sobs in his inmost heart.”

“TO what purpose, April, do you return again? Beauty is not enough. You can no longer quiet me with the redness Of little leaves opening stickily. I know what I know. The sun is hot on my neck as I observe The spikes of the crocus. The smell of the earth is good. It is apparent that there is no death. But what does that signify? Not only under ground are the brains of men Eaten by maggots. Life in itself Is nothing, An empty cup, a flight of uncarpeted stairs. It is not enough that yearly, down this hill, April Comes like an idiot, babbling and strewing flowers.”

“Poetry is life distilled.”

“It is growing cold. Winter is putting footsteps in the meadow. What whiteness boasts that sun that comes into this wood! One would say milk-colored maidens are dancing on the petals of orchids. How coldly burns our sun! One would say its rays of light are shards of snow, one imagines the sun lives upon a snow crested peak on this day. One would say she is a woman who wears a gown of winter frost that blinds the eyes. Helplessness has weakened me. Wandering has wearied my legs.”

“But you hate poetry!Yes, but you make me want to write it.”

“The night has a thousand eyes,And the day but one; Yet the light of the bright world dies With the dying sun. The mind has a thousand eyes, And the heart but one: Yet the light of a whole life dies When love is done.”

“We suffer each other to have each other a while.”

“I don’t wish to be everything to everyone, but I would like to be something to someone.”