Quotes By Author: Victor Hugo

“Passando fra gli insorti che si scostavano con religioso rispetto, [papà Mabeuf] continuò dritto verso Enjolras che indietreggiava impietrito, gli strappò la bandiera, e senza che nessuno osasse trattenerlo né aiutarlo, quel vecchio ottuagenario col capo vacillante, ma col piede fermo, salì lentamente la scala di pietre costruita nella barricata. Lo spettacolo era così serio che tutto all’intorno dissero: «Giù il cappello!». A ogni gradino che saliva diventava sempre più terribile: i suoi capelli canuti, il volto decrepito, l’ampia fronte calma e rugosa, gli occhi incavati, la bocca attonita e semiaperta, il vecchio braccio che sosteneva la bandiera rossa, uscivano dall’ombra e ingigantivano nel sanguinoso chiarore della torcia, e sembrava di vedere lo spettro del 1793 sorgere dalla terra inalberando la bandiera del terrore.Quando fu all’ultimo gradino, quando quel fantasma tremante e terribile, ritto su quel mucchio di rovine dinanzi a milleduecento fucili invisibili, si drizzò in faccia alla morte come se fosse più forte di essa, tutta la barricata assunse nelle tenebre un aspetto colossale e soprannaturale. Vi fu uno di quegli istanti di silenzio che accompagnano i prodigi. In mezzo a quel silenzio il vegliardo sventolò la bandiera rossa e gridò:«Viva la Rivoluzione! Viva la Repubblica! Fratellanza! Uguaglianza! E morte!».”

“The guillotine is the ultimate expression of Law, and its name is vengeance; it is not neutral, nor does it allow us to remain neutral.”

“The guillotine is the ultimate expression of Law, and its name is vengeance; it is not neutral, nor does it allow us to remain neutral. All social questions achieve their finality around that blade. The scaffold is an image. It is not merely a framework, a machine, a lifeless mechanism of wood, iron, and rope. It is as though it were a being having its own dark purpose, as though the framework saw, the machine listened, and the mechanism understood; as though that arrangement of wood and iron and rope expressed a will. In the hideous picture which its presence evokes it seems to be most terribly a part of what it does. It is the executioner’s accomplice; it consumes, devouring flesh and drinking blood. It is a kind of monster created by the judge and the craftsman; a spectre seeming to live an awful life born of the death it deals.”

“In moments like these, offering up his heart at the hour that night flowers offer up their perfume, lit up like a lamp in the middle of the starry night, full of ecstasy in the middle of the universal radiance of creation, he could not perhaps have said himself what was happening in his spirit; he felt something soar up out of him and something fly down into him. Mysterious exchanges between the bottomless well of the soul and the bottomless well of the universe!”

“Hope in a child who has never known anything but despair is a sweet and touching thing.”

“Profound hearts, wise minds, take life as God makes it; it is a long trial, and unintelligible preparation for the unknown destiny.”

“Un sceptique qui adhère à un croyant cela est simple comme la loi des couleurs complémentaires.Ce qui nous manque nous attire.”

“She let her head fall back upon Marius’ knees and her eyelids closed. He thought that poor soul had gone. Eponine lay motionless; but just when Marius supposed her for ever asleep, she slowly opened her eyes in which the gloomy deepness of death appeared, and said to him with an accent the sweetness on which already seemed to come from another world:”And then, do you know, Monsieur Marius, I believe I was a little in love with you.”She essayed to smile again and expired.”

“A phenomenon often seen. A sceptic adhering to a believer; that is as simple as the law of the complementary colours. What we lack attracts us. Nobody loves the light like the blind man…”

“Should we continue to look upwards? Is the light we can see in the sky one of those which will presently be extinguished? The ideal is terrifying to behold… brilliant but threatened on all sides by the dark forces that surround it: nevertheless, no more in danger than a star in the jaws of the clouds.”

“In joined hands there is still some token of hope, in the clinched fist none.”

“There is nothing like a dream to create the future.”

“It is nothing to die. It is frightful not to live.”

“Are you what is called a lucky man? Well, you are sad every day. Each day has its great grief or its little care. Yesterday you were trembling for the health of one who is dear to you, today you fear for your own; tomorrow it will be an anxiety about money, the next day the slanders of a calumniator, the day after the misfortune of a friend; then the weather, then something broken or lost, then a pleasure for which you are reproached by your conscience or your vertebral column; another time, the course of public affairs. Not to mention heartaches. And so on. One cloud is dissipated, another gathers. Hardly one day in a hundred of unbroken joy and sunshine. And you are of that small number who are lucky! As for other men, stagnant night is upon them.”

“Every day has its great grief or its small anxiety. … One cloud is dispelled, another forms. There is hardly one day in a hundred of real joy and bright sunshine.”