“When I observe Gram, I see how fragile the notion of tradition can be. If I take my eyes off the way she kneads her Easter bread, or if I fail to study the way she sews a seam in suede, or if I lose the mental image I have of her when she negotiates a better deal with a button salesman, somehow, the very essence of her will be lost. When she goes, the responsibility for carrying on will fall to me. My mother says I’m the keeper of the flame, because I work here, and because I choose to live here. A flame is a very fragile thing, too, and there are times when I wonder if I’m the on who can keep it going.”

“In a world so redolent with wonder, how can we allow ourselves to conduct our daily lives with so little insight, such absence of dignity?”

“The Imagination merely enables us to wander into the darkness of the unknown where, by the dim light of the knowledge we carry, we may glimpse something that seems of interest. But when we bring it out and examine it more closely it usually proves to be only trash whose glitter had caught our attention. Imagination is at once the source of all hope and inspiration but also of frustration. To forget this is to court despair.”

“The harder you work, the luckier you are, and I worked like hell.”

“‎”With each experience we grow and become more aware of the inner beauty that lies within us. Ultimately we are truly our own leader. We lead the connection and flow of life that is our inheritance.”

“Consider what really makes up your self-worth—like your caring heart or your ability to stand tall in the face of adversity”

“Surprise is where creativity comes in.”

“Each one of us holds the promise of greatness within our heart, minds, and souls. Our potential and where it leads us are as unique as our fingerprints, yet the way to access what is possible is universal. Affirm your life; find joy every day, even in the mundane; and embrace your strengths and use them better yourself and the world.”

“Fear is what keeps the walls up, so open the gate and let what you want, in when you want”

“It’s your living room, it’s your life, go nuts. You like Home Improvement? Tape it and go over it like it’s the Zapruder film.”

“Love hurts.Think back over romance novels you’ve loved or the genre-defining books that drive our industry. The most unforgettable stories and characters spring from crushing opposition. What we remember about romance novels is the darkness that drives them. Three hundred pages of folks being happy together makes for a hefty sleeping pill, but three hundred pages of a couple finding a way to be happy in the face of impossible odds makes our hearts soar. In darkness, we are all alone.So don’t just make love, make anguish for your characters. As you structure a story, don’t satisfy your hero’s desires, thwart them. Make sure your solutions create new problems. Nurture your characters doubts and despair. Make them earn the happy ending they want, even better…make them deserve it. Delay and disappointment charge situations and validate character growth. Misery accompanies love. It’s no accident that many of the stories we think of as timeless romances in Western Literature are fiercely tragic: Romeo and Juliet, Tristan and Isolde, Cupid and Psyche… the pain in them drags us back again and again, hoping that this time we’ll find a way out of the dark.Only if you let your characters get lost will we get lost in them. And that, more than anything else, is what romance can and should do for its protagonists and its readers: lead us through the labyrinth, skirt the monstrous despair roaming its halls, and find our way into daylight.”

“Aim for what u want and the year will all make a sense.”

“One need not believe in Pallas Athena, the virgin goddess, to be overwhelmed by the Parthenon. Similarly, a man who rejects all dogmas, all theologies and all religious formulations of beliefs may still find Genesis the sublime book par excellence. Experiences and aspirations of which intimations may be found in Plato, Nietzsche, and Spinoza have found their most evocative expression in some sacred books. Since the Renaissance, Shakespeare, Rembrandt, Mozart, and a host of others have shown that this religious dimension can be experienced and communicated apart from any religious context. But that is no reason for closing my heart to Job’s cry, or to Jeremiah’s, or to the Second Isaiah. I do not read them as mere literature; rather, I read Sophocles and Shakespeare with all my being, too.”

“My best testimonies are from the times I thought I couldn’t survive.”

“Directing the mind to stay in the present can be a formidable task.”