“Critics write out of intellectual exercise, not poets. Poets write straight from the heart.”

“Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all.”

“You know what I do? I listen to other people, stumbling about with their half thoughts and half sentences and their clumsy feelings that they can’t express, and it hurts me. So I go home and burnish it and polish it and weld it to a rhythmic frame, make the dull colors gleam, mute the garish artificiality to pastels, so it doesn’t hurt any more: that’s my poem. I know what they want to say, and I say it for them.”

“I love being able to see an un-written future.”

“Tom Dancer’s gift of a whitebark pine coneYou never know What opportunity Is going to travel to you, Or through you.Once a friend gave me A small pine cone- One of a few He found in the scatOf a grizzly In Utah maybe, Or Wyoming. I took it homeAnd did what I supposed He was sure I would do- I ate it, ThinkingHow it had traveled Through that rough And holy body. It was crisp and sweet.It was almost a prayer Without words. My gratitude, Tom Dancer, For this gift of the world I adore so much And want to belong to. And thank you too, great bear”

“Will be but corpses dressed in frocks, who cannot speak to birds or rocks.”

“Most people in this country are looking for literature that is useful. They feel that just exploring their feelings is good enough – they should be reading about leveraged buy-outs or how to get thin. We live in a culture that is so absolutely, madly focused on commercialism and on creating money and completely turned away from any other kind of creative value. People don’t generally turn to poetry unless they’re bereaved or have fallen in love. Or in adolescence, when their feelings are very strong and turbulent. I think most of us are dying for lack of spirit in this culture.”

“في مدن العزلة أختار هواءً مرئيّاً كي يصحبَني أبتكر له ظلاً وأدرّب قدميه على موسيقى الخطواتْ نتحدث كغريبين عن الطقس المعتمونفكر في فصل لا يأتي .. أو في عاصمةٍ للحلم تلاحقنا أشباح الوقت وفي أيديها ساعات موقوتةْ نتجاهلها ونسير على أرصفة اللحظة.. حذرَين لكي لا نخطئ وندوس على قدم غريب يتوسطنا كي لا نخطئ .. وندوس على قدم الموتْ !”

“Music resembles poetry, in eachAre nameless graces which no methods teach,And which a master hand alone can reach.”

“في الصباح لا يطربني صوت فيروزولا يعدل مزاجي كوب قهوةصوتك طربيوقربك مزاجي”

“As if this great outburst of anger had purged all my ills, killed all my hopes, I looked up at the mass of signs and stars in the night sky and laid myself open for the first time to the benign indifference of the world- and finding it so much like myself, in fact so fraternal, I realized that I’d been happy, and that I was still happy. For the final consummation and for me to feel less lonely, my last wish was that there should be a crowd of spectators at my execution and that they should greet me with cries of hatred.”

“In your handsThe dog, the donkey, surely they know They are alive.Who would argue otherwise?But now, after years of consideration, I am getting beyond that.What about the sunflowers? What about The tulips, and the pines?Listen, all you have to do is start and There’ll be no stopping.What about mountains? What about water Slipping over rocks?And speaking of stones, what about The little ones you can Hold in your hands, their heartbeats So secret, so hidden it may take yearsBefore, finally, you hear them?”

“The sweetness of dogs (fifteen) What do you say, Percy? I am thinkingof sitting out on the sand to watchthe moon rise. Full tonight.So we goand the moon rises, so beautiful it makes me shudder, makes me think abouttime and space, makes me takemeasure of myself: one iotapondering heaven. Thus we sit,I thinking how grateful I am for the moon’s perfect beauty and also, oh! How richit is to love the world. Percy, meanwhile, leans against me and gazes up intomy face. As though I werehis perfect moon.”

“On the beach, at dawn:Four small stones clearlyHugging each other.How many kinds of loveMight there be in the world,And how many formations might they makeAnd who am I everTo imagine I could knowSuch a marvelous business?When the sun brokeIt poured willingly its lightOver the stonesThat did not move, not at all,Just as, to its always generous term,It shed its light on me,My own body that loves, Equally, to hug another body.”

“…how it would be nice if, for every sea waiting for us, there would be a river, for us. And someone -a father, a lover, someone- able to take us by the hand and find that river -imagine it, invent it- and put us on its stream, with the lightness of one only word, goodbye. This, really, would be wonderful. It would be sweet, life, every life. And things wouldn’t hurt, but they would get near taken by stream, one could first shave and then touch them and only finally be touched. Be wounded, also. Die because of them. Doesn’t matter. But everything would be, finally, human. It would be enough someone’s fancy -a father, a lover, someone- could invent a way, here in the middle of the silence, in this land which don’t wanna talk. Clement way, and beautiful.A way from here to the sea.”