All Quotes By Tag: Emotion

“Your passport to influencing others is emotional intelligence, your fabric to choosing the right friends is social intelligence, your path to creating lasting wealth is financial intelligence, and your key to identifying your future is brand intelligence.”

“Time never touched you. It touched me and then I seemed to regret everything. Your hair in my face, eyes in my mind, a darkness I found in you. But you don’t regret. You hold within. You feel in memory because love lost is still a love once had. You remember passion, conversations over dinner, moments interwoven before each other. We die to live, not die to cry over memories which don’t last our expected timeframe.”

“We’re meant for each other for a moment, but no one knows how long the moment lasts except the moment itself.”

“People like to warn you that by the time you reach the middle of your life, passion will begin to feel like a meal eaten long ago, which you remember with great tenderness.”

“So one must be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox…”

“There is an incessant influx of novelty into the world, and yet we tolerate incredible dulness. I need only suggest what kind of sermons are still listened to in the most enlightened countries. There are such words as joy and sorrow, but they are only the burden of a psalm, sung with a nasal twang, while we believe in the ordinary and mean.”

“Suppose that we agree that the two atrocities can or may be mentioned in the same breath. Why should we do so? I wrote at the time (The Nation, October 5, 1998) that Osama bin Laden ‘hopes to bring a “judgmental” monotheism of his own to bear on these United States.’ Chomsky’s recent version of this is ‘considering the grievances expressed by people of the Middle East region.’ In my version, then as now, one confronts an enemy who wishes ill to our society, and also to his own (if impermeable religious despotism is considered an ‘ill’). In Chomsky’s reading, one must learn to sift through the inevitable propaganda and emotion resulting from the September 11 attacks, and lend an ear to the suppressed and distorted cry for help that comes, not from the victims, but from the perpetrators. I have already said how distasteful I find this attitude. I wonder if even Chomsky would now like to have some of his own words back? Why else should he take such care to quote himself deploring the atrocity? Nobody accused him of not doing so. It’s often a bad sign when people defend themselves against charges which haven’t been made.”

“When writing, there are some scenes that are emotionally overwhelming. They completely overcome the author, and only when they do this can they cause a similar reaction in the reader.Through this, the author gets to experience multiple lives. If a character’s life flashes before their eyes, it flashes before the author’s eyes too, and he or she remembers it as his or her own.With reading, we get to live other lives vicariously, and this is doubly so with writing. It is like a lucid dream, where we guide the outcome. In this, we don’t merely write *about* a character — we momentarily *become* them, and walk as they walk, think as they think, and do as they do. When we return to our own life, we might return a little shaken, likely a little stronger, hopefully a little wiser.What is certain is that we return better, because experiencing the lives of others makes us understand their aims and dreams, their fears and foils, the challenges and difficulties, and joys and triumphs, that they face. It helps us grow and empathise, and see all the little pictures that make up the bigger one we see from the omniscience of the narrator.”

“Art is the overflow of emotion into action.”

“Find what gave you emotion; what the action was that gave you excitement. Then write it down making it clear so that the reader can see it too. Prose is architecture, not interior decoration, and the Baroque is over.”

“Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all.”

“I never heard sound and thrill of my painful heart until that very day she touched it.”

“In fiction, the characters have their own lives. They may start as a gloss on the author’s life, but they move on from there. In poetry, especially confessional poetry but in other poetry as well, the poet is not writing characters so much as emotional truth wrapped in metaphor. Bam! Pow! A shot to the gut.”

“Emotion is the poetry of life.”

“Sometimes I hear the world discussed as the realm of men. This is not my experience. I have watched men fall to the ground like leaves. They were swept up as memories, and burned. History owns them. These men were petrified in both senses of the word: paralyzed and turned to stone. Their refusal to express feeling killed them. Anachronistic men. Those poor, poor boys.”