All Quotes By Tag: Poetry

“Every poet… finds himself born in the midst of prose. He has to struggle from the littleness and obstruction of an actual world into the freedom and infinitude of an ideal.”

“I do not write to you, but of you,/because the paper that we write on/is our perishable skin.”

“The Dreamfencekittens wait to jump into my dreamseach time I visit heaventhey jump over a dreamfencered clouds are ready for lovingas I lovemy love paints my catsour minds are somehow stuck togetheras we dream togetherof our own heavenamd after tjeu cir; i[inside my sweaterwe knit our own heavens.”

“What do they think has happened, the old fools,To make them like this ? Do they somehow supposeIt’s more grown-up when your mouth hangs open and droolsAnd you keep on pissing yourself, and can’t rememberWho called this morning ? Or that, if they only chose,They could alter things back to when they danced all night,Or went to their wedding, or sloped arms some September ?Or do they fancy there’s really been no change, And they’ve always behaved as if they were crippled or tight,Or sat through days of thin continuous dreamingWatching light move ? If they don’t (and they can’t), it’s strange:Why aren’t they screaming ?At death, you break up: the bits that were youStart speeding away from each other for everWith no one to see. It’s only oblivion, true: We had it before, but then it was going to end,And was all the time merging with a unique endeavourTo bring to bloom the million-petalled flowerOf being here. Next time you can’t pretendThere’ll be anything else. And these are the first signs:Not knowing how, not hearing who, the powerOf choosing gone. Their looks show that they’re for it:Ash hair, toad hands, prune face dried into lines-How can they ignore it ?Perhaps being old is having lighted roomsInside your head, and people in them, acting.People you know, yet can’t quite name; each loomsLike a deep loss restored, from known doors turning, Setting down a Iamp, smiling from a stair, extractingA known book from the shelves; or sometimes onlyThe rooms themselves, chairs and a fire burning,The blown bush at the window, or the sun’ sFaint friendliness on the wall some lonelyRain-ceased midsummer evening. That is where they live:Not here and now, but where all happened once.This is why they giveAn air of baffled absence, trying to be thereYet being here. For the rooms grow farther, leavingIncompetent cold, the constant wear and tearOf taken breath, and them crouching belowExtinction’ s alp, the old fools, never perceivingHow near it is. This must be what keeps them quiet.The peak that stays in view wherever we goFor them is rising ground. Can they never tellWhat is dragging them back, and how it will end ? Not at night?Not when the strangers come ? Never, throughoutThe whole hideous inverted childhood? Well,We shall find out.- The Old Fools”

“I think it was Milosz, the Polish poet, who when he lay in a doorway and watched the bullets lifting the cobbles out of the street beside him realised that most poetry is not equipped for life in a world where people actually die. But some is.”

“So all night long the storm roared on:The morning broke without a sun;In tiny spherule traced with linesOf Nature’s geometric signs,In starry flake, and pellicle,All day the hoary meteor fell;And, when the second morning shone,We looked upon a world unknown,On nothing we could call our own.Around the glistening wonder bentThe blue walls of the firmament,No cloud above, no earth below,—A universe of sky and snow!”

“I do believe in poetry. I believe that there are creatures endowed with the power to put things together and bring them back to life”

“She has learned to love. To fear. To hate. And then to love again. Through it all, she writes.” ~Once Upon A Time There Was A Girl”

“There is such a shelter in each other.”

“I have only to contemplate myself; man comes from nothing, passes through time, and disappears forever in the bosom of God. He is seen but for a moment wandering on the verge of two abysses, and then is lost.If man were wholly ignorant of himself he would have no poetry in him, for one cannot describe what one does not conceive. If he saw himself clearly, his imagination would remain idle and would have nothing to add to the picture. But the nature of man is sufficiently revealed for him to know something of himself and sufficiently veiled to leave much impenetrable darkness, a darkness in which he ever gropes, forever in vain, trying to understand himself.”

“We made love outdoorsWithout a roof, I like most, Without stove, to make love, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and gushing of dew.”

“Across the centuries the moral systems from medival chivalry to Bruce Springsteen love anthems have worked the same basic way. They take immediate selfish interests and enmesh them within transcendent, spiritual meanings. Love becomes a holy cause, an act of self-sacrifice and selfless commitment.But texting and the utilitarian mind-set are naturally corrosive toward poetry and imagination. A coat of ironic detachment is required for anyone who hopes to withstand the brutal feedback of the marketplace. In today’s world, the choice of a Prius can be a more sanctified act than the choice of an erotic partner.This does not mean that young people today are worse or shallower than young people in the past. It does mean they get less help. People once lived within a pattern of being, which educated the emotions, guided the temporary toward the permanent and linked everyday urges to higher things. The accumulated wisdom of the community steered couples as they tried to earn each other’s commitment.Today there are fewer norms that guide that way. Today’s technology seems to threaten the sort of recurring and stable reciprocity that is the building block of trust.”

“That is what you meant to me: a light that shone through the darkness.” (Your smile, p. 56)”

“A way of using words to say things which could not possibly be said in any other way, things which in a sense do not exist till they are born … in poetry.”

“The future says:Dear mortals;I know you are busy with your colourful lives;I have no wish to waste the little time that remainsOn arguments and heated debates;But before I can appearPlease, close your eyes, sit stillAnd listen carefullyTo what I am about to say;I haven’t happened yet, but I will.I can’t pretend it’s going to beBusiness as usual.Things are going to change.I’m going to be unrecognisable.Please, don’t open your eyes, not yet.I’m not trying to frighten you.All I ask is that you think of meNot as a wish or a nightmare, but as a storyYou have to tell yourselves -Not with an endingIn which everyone lives happily ever after,Or a B-movie apocalypse,But maybe starting with the line’To be continued…’And see what happens next.Remember this; I am notWritten in stoneBut in time – So please don’t shrug and sayWhat can we do?It’s too late, etc, etc, etc.Dear mortals,You are such strange creaturesWith your greed and your kindness,And your hearts like broken toys;You carry fear with you everywhereLike a tiny godIn its box of shadows.You love festivals and musicAnd good food.You lie to yourselvesBecause you’re afraid of the dark.But the truth is: you are in my handsAnd I am in yours.We are in this together,Face to face and eye to eye;We’re made for each other.Now those of you who are still here;Open your eyes and tell me what you see.”