“I want to do something splendid… Something heroic or wonderful that won’t be forgotten after I’m dead… I think I shall write books.”

“I always say to people who want to write: Live life! Don’t stand on the rim, don’t sit on the sidelines. Make mistakes, make a mess, get it wrong. Read everything, and get out and be in life.”

“Writing started out as a kind of therapy for me. I was bullied mercilessly in high school, and I lived vicariously through Kitty. She was everything I wanted to be; strong, smart, witty, and above all else, she didn’t care what other people thought about her. But after a while, she started to take on a personality of her own, and I was suddenly more interested in her story than I was in mine.”

“If the stories come, you get them written, you’re on the right track. Eventually everyone learns his or her own best way. The real mystery to crack is you.”

“Write all the time. I believe in writing every day, at least a thousand words a day. We have a strange idea about writing: that it can be done, and done well, without a great deal of effort. Dancers practice every day, musicians practice every day, even when they are at the peak of their careers – especially then. Somehow, we don’t take writing as seriously. But writing – writing wonderfully – takes just as much dedication.”

“I believe you have to write every day–make the time. It’s about having an organized mind instead of a chaotic and untidy one. There is a myth that writers are bohemian and do what they like in their own way. Real writers are the most organized people on the planet. You have to be. You’re doing the work and running your own business as well. It’s an incredibly organized state.[Also reading]…one of the things reading does do is discipline your mind. There are no writers who are not readers.”

“If you’re a writer, your first duty, a duty you owe to yourself and your readers, and to your writing itself, is to become wonderful. To become the best writer you can possibly be.”

“Collaborating on a film script involves two people sitting in a room separated by the silence of two minds working together.”

“Remember, it is no sign of weakness or defeat that your manuscript ends up in need of major surgery. This is a common occurrence in all writing, and among the best writers.”

“Everything I’ve written up to this point is crap. Now I’m going to write the real one”

“In older myths, the dark road leads downward into the Underworld, where Persephone is carried off by Hades, much against her will, while Ishtar descends of her own accord to beat at the gates of Hell. This road of darkness lies to the West, according to Native American myth, and each of us must travel it at some point in our lives. The western road is one of trials, ordeals, disasters and abrupt life changes — yet a road to be honored, nevertheless, as the road on which wisdom is gained. James Hillman, whose theory of ‘archetypal psychology’ draws extensively on Greco–Roman myth, echoes this belief when he argues that darkness is vital at certain periods of life, questioning our modern tendency to equate mental health with happiness. It is in the Underworld, he reminds us, that seeds germinate and prepare for spring. Myths of descent and rebirth connect the soul’s cycles to those of nature.”

“Behind the perfection of a man’s style, must lie the passion of a man’s soul.”

“Writing starts with living.—Rumors of Water: Thoughts on Creativity & Writing”

“The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through? I believe the only way a writer can keep himself up to the mark is by examining each story quite coldly before he starts writing it and asking himself it is all right as a story. I mean, once you go saying to yourself, “This is a pretty weak plot as it stands, but if I’m such a hell of a writer that my magic touch will make it okay,” you’re sunk. If they aren’t in interesting situations, characters can’t be major characters, not even if you have the rest of the troop talk their heads off about them.”(Interview, The Paris Review, Issue 64, Winter 1975)”

“Everything is gestation and then bringing forth. To let each impression and each germ of feeling come to completion wholly in itself, in the dark, in the inexpressible, the unconscious, beyond the reach of one’s own intelligence, and await with deep humility and patience the birth-hour of a new clarity: that alone is living the artist’s life, in understanding and in creating. There is no measuring in time, no year matters, and ten years are nothing. Being an artist means, not reckoning and counting, but ripening like the tree which does not force its sap and stands confidence in the storms of spring without fear that after them may come no summer.”