Quotes By Author: George Eliot
“His faith wavered, but not his speech: it is the lot of every man who has to speak for the satisfaction of the crowd, that he must often speak in virtue of yesterday’s faith, hoping it will come back to-morrow.”
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“A really cultured woman, like a really cultured man, is all the simpler and the less obtrusive for her knowledge; it has made her see herself and her opinions in something like just proportions; she does not make it a pedestal from which she flatters herself that she commands a complete view of men and things, but makes it a point of observation from which to form a right estimate of herself. She neither spouts poetry nor quotes Cicero on slight provocation; not because she thinks that a sacrifice must be made to the prejudices of men, but because that mode of exhibiting her memory and Latinity does not present itself to her as edifying or graceful”
“It seems as you’ll never know the rights of it; but that doesn’t hinder there being a rights, Master Marner, for all it’s dark to you and me.”No,’ said Silas, ‘no; that doesn’t hinder. Since the time the child was sent to me and I’ve come to love her as myself, I’ve had light enough to trusten by; and now she says she’ll never leave me, I think I shall trusten until I die.”
“If a princess in the days of enchantment had seen a four-footed creature from among those which live in herds come to her once and again with a human gaze which rested upon her with choice and beseeching, what would she think of in her journeying, what would she look for when the herds passed her? Surely for the gaze which had found her, and which she would know again.”
“I never had any preference for her, any more than I have a preference for breathing.”
“Religious ideas have the fate of melodies, which, once set afloat in the world, are taken up by all sorts of instruments, some of them woefully coarse, feeble, or out of tune, until people are in danger of crying out that the melody itself is detestable.”
“To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion–a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge.”
“Most of us who turn to any subject with love remember some morning or evening hour when we got on a high stool to reach down an untried volume, or sat with parted lips listening to a new talker, or for very lack of books began to listen to the voices within, as the first traceable beginning of our love.”
“[She was] a creature full of eager, passionate longings for all that was beautiful and glad; thirsty for all knowledge; with an ear straining after dreamy music that died away and would not come near to her; with a blind unconscious yearning for something that would link together the wonderful impressions of this mysterious life, and give her soul a sense of home in it.”
“Everybody liked better to conjecture how the thing was, than simply to know it; for conjecture soon became more confident than knowledge, and had a more liberal allowance for the incompatible.”
“The presence of a noble nature, generous in its wishes, ardent in its charity, changes the lights for us: we begin to see things again in their larger, quieter masses, and to believe that we too can be seen and judged in the wholeness of our character.”
“Poetry and art and knowledge are sacred and pure.”
“But what we call our despair is often only the painful eagerness of unfed hope.”
“It is always fatal to have music or poetry interrupted.”