All Quotes By Tag: Reading

“Is there a better method of departure by night than this quiet bon voyage with an open book, the sole companion who has come to see you off, to wave you into the dark waters beyond language?”

“I want to read every book that’s writtenhear every song that was sungI want to gaze at every cloudand hold the zing of each fruit on my tongue.”

“The question ‘Why poetry?’ isn’t asking what makes poetry unique among art forms; poetry may indeed share its origins with other forms of privileged utterance. A somewhat more interesting question would be: “What is the nature of experience, and especially the experience of using language, that calls poetic utterance into existence? What is there about experience that’s unutterable?” You can’t generalize very usefully about poetry; you can’t reduce its nature down to a kernel that underlies all its various incarnations. I guess my internal conversation suggests that if you can’t successfully answer the question of “Why poetry?,” can’t reduce it in the way I think you can’t, then maybe that’s the strongest evidence that poetry’s doing its job; it’s creating an essential need and then satisfying it.”

“The books [poetry collections] may not sell, but neither are they given away or thrown away. They tend, more than other books, to fall apart in their owners’ hands. Not I suppose good news in a culture and economy built on obsolescence. But for a book to be loved this way and turned to this way for consolation and intense renewable excitement seems to me a marvel.”

“When a poet settled down to write a poem, could he foresee the lines he would write? Did his head constantly spin with riddles and rhymes and was his only job to put them down? What if he couldn’t get them to make sense, and no one, not even the person he cared for most, could have pleasure in reading it? What would he do?”

“When a reader enters the pages of a book of poetry, he or she enters a world where dreams transform the past into knowledge made applicable to the present, and where visions shape the present into extraordinary possibilities for the future.”

“We are stripped of all that gave value and substance to our existence: power and love; in this naked final state, our last lover, our mate, death, comes. Bereft, without cover, we face the elements that will undo us. The winter breakers crash over and through us, flaunting their vigor and our nullity, as if the entire cosmos were now taking its ultimate revenge on the human creature who has lived too long: the dying sun mocks us from the west, for it will return tomorrow to die again, but we go down only once; the rising sun mocks us from the east, for we will not share in the rebirth of light and life; the noonday taunts us with its heat and vitality, for we are detritus; the north finally cloaks us in our last vestments: eternal night. That is how it ends.”

“The place trembled with sound. I didn’t need to do anything. They would do it all. But you had to be careful. Drunk as they were they could immediately detect any false gesture, any false word. You could never underestimate an audience. They had paid to get in; they had paid for drinks; they intended to get something and if you didn’t give it to them they’d run you right into the ocean.”

“[Fiction and poetry] are medicines, they’re doses, and they heal the rupture that reality makes on the imagination.”

“Please bury me in the library With a dozen long-stemmed proses”

“Ah, distinctly I remember it was in the bleak December And each separate dying ember wrought its ghost upon the floor.Eagerly I wished the morrow; — vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore.”

“ ‘Paradise Lost’ was printed in an edition of no more than 1,500 copies and transformed the English language. Took a while. Wordsworth had new ideas about nature: Thoreau read Wordsworth, Muir read Thoreau, Teddy Roosevelt read Muir, and we got a lot of national parks. Took a century. What poetry gives us is an archive, the fullest existent archive of what human beings have thought and felt by the kind of artists who loved language in a way that allowed them to labor over how you make a music of words to render experience exactly and fully.”

“It is when we are faced with death that we turn most bookish.”

“In fiction, the characters have their own lives. They may start as a gloss on the author’s life, but they move on from there. In poetry, especially confessional poetry but in other poetry as well, the poet is not writing characters so much as emotional truth wrapped in metaphor. Bam! Pow! A shot to the gut.”

“Read for yourselves, read for the sake of your inspiration, for the sweet turmoil in your lovely head. But also read against yourselves, read for questioning and impotence, for despair and erudition, read the dry sardonic remarks of cynical philosophers like Cioran or even Carl Schmitt, read newspapers, read those who despise, dismiss or simply ignore poetry and try to understand why they do it. Read your enemies, read those who reinforce your sense of what’s evolving in poetry, and also read those whose darkness or malice or madness or greatness you can’t understand because only in this way will you grow, outlive yourself, and become what you are.”