“The heaviness of loss in her heart hadn’t eased, but there was room there for humour, too.”

“She’s not here,” I tell him. Buttercup hisses again. “She’s not here. You can hiss all you like. You won’t find Prim.” At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. “Get out!” He dodges the pillow I throw at him. “Go away! There’s nothing left for you here!” I start to shake, furious with him. “She’s not coming back! She’s never ever coming back here again!” I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. “She’s dead, you stupid cat. She’s dead.”

“At the temple there is a poem called “Loss” carved into the stone. It has three words, but the poet has scratched them out. You cannot read loss, only feel it.”

“When someone you love dies, and you’re not expecting it, you don’t lose her all at once; you lose her in pieces over a long time—the way the mail stops coming, and her scent fades from the pillows and even from the clothes in her closet and drawers. Gradually, you accumulate the parts of her that are gone. Just when the day comes—when there’s a particular missing part that overwhelms you with the feeling that she’s gone, forever—there comes another day, and another specifically missing part.”

“If you have a sister and she dies, do you stop saying you have one? Or are you always a sister, even when the other half of the equation is gone?”

“Then the pulse.Then a pause.Then twilight in a box.Dusk underfoot.Then generations.—Then the same war by a different name.Wine splashing in the bucket.The erection, the era.Then exit Reason.Then sadness without reason.Then the removal of the ceiling by hand.—Then pages & pages of numbers.Then the page with the faint green stain.Then the page on which Prince Theodore, gravely wounded, is thrown onto a wagon.Then the page on which Masha weds somebody else.Then the page that turns to the story of somebody else.Then the page scribbled in dactyls.Then the page which begins Exit Angel.Then the page wrapped around a dead fish.Then the page where the serfs reach the ocean.Then a nap.Then the peg.Then the page with the curious helmet.Then the page on which millet is ground.Then the death of Ursula.Then the stone page they raised over her head.Then the page made of grass which goes on.—Exit Beauty.—Then the page someone folded to mark her place.Then the page on which nothing happens.The page after this page.Then the transcript.Knocking within.Interpretation, then harvest.—Exit Want.Then a love story.Then a trip to the ruins.Then & only then the violet agenda.Then hope without reason.Then the construction of an underground passage between us.Srikanth Reddy, “Burial Practice” from Facts for Visitors. Copyright © 2004 by the Regents of the University of California. Reprinted by permission of The University of California Press. Source: Facts for Visitors (University of California Press, 2004)”

“The Moment opens. The moment closes. There is sunlight. There is frost. There is the brief idea of roses amid the patch of weeds.”

“James felt as he always felt waiting to deliver this kind of news: like an emotional mugger, smashing into other people’s calm lives, leaving agony and loss behind. The aloofness of his role built his guilt, his distance from their pain. That he could introduce himself to people to deliver news that ruined them, with no wounds of his own to show in solidarity. He was the professional, like a doctor, slicing through their existence then going back to his own clean life.”

“I keep planting my smile in the rich soil of your sadness, hoping one day love will bloom from your thoroughly saturated heart.”

“Although they remain silent companions throughout my life, I feel their absence the most when I’m happiest. I know it seems strange, even counterintuitive. It’s hard to explain…. I guess that I wish they could be part of those moments—or perhaps the happy moments, instances of life going on without them, come with the fear of losing their constant presence in my thoughts and the knowledge that, in a way, they are being left behind…. In a way, grief reassures me that I still love them as much as when they were here, and that through me some part of them still exists in this world….”

“I have suffered great losses and have been blessed with great consolations, but whatever life may give me or take away, this is the simple wisdom that will always light my life: I have loved, passionately, fearlessly, with all my heart and all my soul, and I have been loved in return. For me, this is enough.”

“she slammed the door andwas gone.I looked at the closed doorand at the doorknoband strangelyI didn’t feelalone.”

“I think about my mother singing after lunch on a Summer afternoon, twirling in blue dress across the floor of her dressing room”

“And, as always happens, and happens far too soon, the strange and wonderful becomes a memory and a memory becomes a dream. Tomorrow it’s gone.”

“Nos-tal-gic,’ Akira said, as though it were a word he had been struggling to find. Then he said a word in Japanese, perhaps the Japanese for ‘nostalgic.’ ‘Nos-tal-gic. It is good to be nos-tal-gic. Very important.’‘Really, old fellow?’‘Important. Very important. Nostalgic. When we nostalgic, we remember. A world better than this world we discover when we grow. We remember and wish good world come back again. So very important. Just now, I had dream. I was boy. Mother, Father, close to me. in our house.’He fell silent and continued to gaze across the rubble.‘Akira,’ I said, sensing that the longer this talk went on, the greater was some danger I did not wish fully to articulate. ‘We should move on. We have much to do.”