“The universe will express itself as long as somebody will be able to say, “I read, therefore it writes.”

“Hard writing makes easy reading.”

“He chose The Metamorphosis over The Trial, he chose Bartleby over Moby-Dick, he chose A Simple Heart over Bouvard and Pecuchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze paths into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.”

“She could read anything now, he said, and once you can read anything you can learn everything. It was up to her. “Nobody’s come close to filling their brains,” he said. “We’re all like giraffes not using their necks to reach the higher leaves.”

“But the main reason you should read this is that I don’t see why I should have to know all these terrible, terrible things and you should get off scot free.”

“Books whose topics I thoroughy depsise are accapteble because they often force the reader to think and to examine his own beliefs. In an age where most people are either blindly obedient or radical, exposing oneself to the ideas contained in even the most controversial of books is a good thing.”

“I learned to write by reading the kind of books I wished I’d written.”

“A tough life needs a tough language—and that is what poetry is. That is what literature offers—a language powerful enough to say how it is.”

“Last reason for reading horror: it’s a rehearsal for death. It’s a way to get ready. People say there’s nothing sure but death and taxes. But that’s not really true. There’s really only death, you know. Death is the biggie. Two hundred years from now, none of us are going to be here. We’re all going to be someplace else. Maybe a better place, maybe a worse place; it may be sort of like New Jersey, but someplace else. The same thing can be said of rabbits and mice and dogs, but we’re in a very uncomfortable position: we’re the only creatures—at least as far as we know, though it may be true of dolphins and whales and a few other mammals that have very big brains—who are able to contemplate our own end. We know it’s going to happen. The electric train goes around and around and it goes under and around the tunnels and over the scenic mountains, but in the end it always goes off the end of the table. Crash.”

“When Suzie introduced Helen, she told the audience that one of the best things about books is that they are an interactive art form: that while the author may describe in some detail how a character looks, it is the reader’s imagination that completes the image, making it his or her own. “That’s why we so often don’t like movies made from books, right?” Suzie said. “We don’t like someone else’s interpretation of what we see so clearly.” She talked, too, about how books educate and inspire, and how they soothe the soul-“like comfort food without the calories,” she said. She talked about the tactile joys of reading, the feel of a page beneath one’s fingers; the elegance of typeface on a page. She talked about how people complain that they don’t have time to read, and reminded them that if they gave up half an hour of television a day in favor of reading, they could finish twenty-five books a year. “Books don’t take time away from us,” she said. “They give it back. In this age of abstraction, of multitasking, of speed for speed’s sake, they reintroduce us to the elegance-and the relief!-of real, tick-tock time.”

“[…] marginile unei cărţi nu sunt niciodată clar şi riguros trasate: dincolo de titlu, de primele rânduri şi de punctul final, mai presus de configuraţia sa internă şi de forma care îi conferă autonomie, ea se află prinsă într-un sistem de trimiteri la alte cărţi, la alte texte, la alte fraze: este un nod într-o reţea.”

“Inexperience people think that books will lead the one of intellect to understanding. But the ignoramus doesn’t know that in these books are ambiguos that will confuse even the most intelligent of people. If you try to learn this knowledge without a teacher you will go astray and affairs will become so confusing to you that you will be more astray than Toma*, the physician.*توما الحكيم”

“Your words are powerful so what you say goes a long way to either establish or destroy you; this is why you should say things that God has said concerning you, not things that situations or circumstances say.”