“Maybe reading was just a way to make her feel less alone, to keep her company. When you read something you are stopped, the moment is stayed, you can sometimes be there more fully than you can in your real life.”

“Editors can be stupid at times. They just ignore that author’s intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don’t make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author’s mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, ‘Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?’. Monet would be ripping his hair out.”

“Reading is air in my lungs, fire in my blood, company in my thoughts.”

“…ending a book with a sequel in such a way that the reader still has faith in the characters and in the writer. That’s finesse.”

“A bookshop is a peaceful sanctuary of silent voices waiting to heard”

“A friend once told me that the real message Bram Stoker sought to convey in ‘Dracula’ is that a human being needs to live hundreds and hundreds of years to get all his reading done; that Count Dracula, basically nothing more than a misunderstood bookworm, was draining blood from the necks of 10,000 hapless virgins not because he was the apotheosis of pure evil but because it was the only way he could live long enough to polish off his extensive reading list. But I have no way of knowing if this is true, as I have not yet found time to read ‘Dracula.”

“No, I am not imagining a book-burning, warmongering, anti-intellectual fascist regime – in my plan, there is no place for re ghters who light up the Homers and Lady Murasakis and Cao Xueqins stashed under your bed – because, for starters, I’m not banning literature per se. I’m banning the reading of literature. Purchasing and collecting books and other forms of literature remains perfectly legitimate as long as you don’t peruse the literature at hand.”

“I learned from the age of two or three that any room in our house, at any time of day, was there to read in, or be read to.”

“Writing does not exist unless there is someone to read it, and each reader will take something different from a novel, from a chapter, from a line.”

“The more a book is like an opium pipe, the more the Chinaman reader is satisfied with it and tends to discuss the quality of the drug rather than its lethargic effects.”

“When writing, there are some scenes that are emotionally overwhelming. They completely overcome the author, and only when they do this can they cause a similar reaction in the reader.Through this, the author gets to experience multiple lives. If a character’s life flashes before their eyes, it flashes before the author’s eyes too, and he or she remembers it as his or her own.With reading, we get to live other lives vicariously, and this is doubly so with writing. It is like a lucid dream, where we guide the outcome. In this, we don’t merely write *about* a character — we momentarily *become* them, and walk as they walk, think as they think, and do as they do. When we return to our own life, we might return a little shaken, likely a little stronger, hopefully a little wiser.What is certain is that we return better, because experiencing the lives of others makes us understand their aims and dreams, their fears and foils, the challenges and difficulties, and joys and triumphs, that they face. It helps us grow and empathise, and see all the little pictures that make up the bigger one we see from the omniscience of the narrator.”

“I will write one book that will change entire humankind if only you have enough guts to read my previous ones.”

“Mr Earbrass was virtually asleep when several lines of verse passed through his mind and left it hopelessly awake. Here was the perfect epigraph for TUH:A horrid ?monster has been [something] delay’dBy your/their indiff’rence in the dank brown shadeBelow the garden…His mind’s eye sees them quoted on the bottom third of a right-hand page in a (possibly) olive-bound book he read at least five years ago. When he does find them, it will be a great nuisance if no clue is given to their authorship.”

“I think the reason why I don’t read so much, is because as I have observed, whole books all boil down to a drop of essence. You can read a book full of ten thousand words and at the end, sum it up in one sentence; I am more for the one sentence. I am more for the essence. It’s like how you need a truckload of roses to extract one drop of rose oil; I don’t want to bother with the truckload of roses because I would rather walk away with the drop of rose oil. So in my mind, I have written two hundred books. Why? Because I have with me two hundred vials with one drop of essence in each!”

“We can learn to pay attention, concentrate, devote ourselves to authors. We can slow down so we can hear the voice of texts, feel the movement of sentences, experience the pleasure of words–and own passages that speak to us. (p. 41)”