“He had waited five years and bought a mansion where he dispensed starlight to casual moths – so that he could ‘come over’ some afternoon to a stranger’s garden.”

“I want to be able to do anything with words: handle slashing, flaming descriptions like Wells, and use the paradox with the clarity of Samuel Butler, the breadth of Bernard Shaw and the wit of Oscar Wilde, I want to do the wide sultry heavens of Conrad, the rolled-gold sundowns and crazy-quilt skies of Hitchens and Kipling as well as the pastel dawns and twilights of Chesterton. All that is by way of example. As a matter of fact I am a professed literary thief, hot after the best methods of every writer in my generation.”

“I had traded the fight against love for the fight against loneliness, the fight against life for the fight against death.”

“A phrase began to beat in my ears with a sort of heady excitement: “There are only the pursued, the pursuing, the busy and the tired.”

“She seems hopeful and normally hungry for life — even rather romantic.”

“Amory took to writing poetry on spring afternoons, in the gardens of the big estates near Princeton, while swans made effective atmosphere in the artificial pools, and slow clouds sailed harmoniously above the willow. May came too soon, and suddenly unable to bear walls, he wandered the campus at all hours through starlight and rain.”

“I think he revalued everything in his house according to the measure of response it drew from her well-loved eyes.”

“What are you going to do? “Can’t say – run for president, write -” “Greenwich Village?” “Good heavens, no – I said write – not drink.”

“He felt that to succeed here the idea of success must grasp and limit his mind.”

“So when the blue smoke of brittle leaves was in the air and the wind blew the wet laundry stiff on the line I decided to come back home.”

“It’s all life is. Just going ’round kissing people.”

“I hope I haven’t given you the impression that I consider kissing intrinsically irrational.”

“I love her and that’s the beginning and end of everything.”

“Amory, sorry for them, was still not sorry for himself – art, politics, religion, whatever his medium should be, he knew he was safe now, free from all hysteria – he could accept what was acceptable, roam, grow, rebel, sleep deep through many nights…There was no God in his heart, he knew; his ideas were still in riot; there was ever the pain of memory; the regret for his lost youth – yet the waters of disillusion had left a deposit on his soul, responsibility and a love of life, the faint stirring of old ambitions and unrealized dreams…And he could not tell why the struggle was worth while, why he had determined to use to the utmost himself and his heritage from the personalities he had passed…He stretched out his arms to the crystalline, radiant sky.”I know myself,” he cried, “but that is all.”

“You’ve got an awfully kissable mouth.”