“Like an artist, a conscious griever makes choices that come from deep within, inviting grief to reveal the healing gift of that particular loss. Grieving consciously creates pathways into deeper self-knowledge, invites an increased ability to be grateful, and encourages connections to loved ones that transcend time and space.”

“Continuing bonds are not an alternative to grief-work, but more a result of it.”

“There is an old Chinese tale about the woman whose only son had died. In her grief, she went to the holy man and said, ‘What prayers, what magical incantations do you have to bring my son back to life?’ Instead of sending her away or reasoning with her, he said to her, ‘Fetch me a mustard seed from a home that has never known sorrow. We will use it to drive the sorrow out of your life.’ The woman set off at once in search of that magical mustard seed. She came first to a splendid mansion, knocked at the door and said, ‘I am looking for a home that has never known sorrow. Is this such a place? It is very important to me.’ They told her ‘You’ve certainly come to the wrong place,’ and began to describe all the tragic things that had recently befallen them. The woman said to herself, ‘Who is better able to help these poor unfortunate people than I, who have had misfortune of my own?’ She stayed to comfort them, then went on in her search for a home that had never known sorrow. But wherever she turned, hovels and in palaces, she found one tale after another of sadness and misfortune. Ultimately, she became so involved in ministering to other people’s grief that she forgot about her quest for the magical mustard seed, never realizing that it had in fact drive the sorrow out of her life.”

“Does this not tell you that grief, as well as in life, there is always something to look forward to beyond?”

“He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and for the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you were. All your grief hasn’t changed a thing. What you have lost will not be returned to you. It will always be lost. You’re left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it’s knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her there at the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.”

“Tonight I Can WriteTonight I can write the saddest lines.Write, for example, ‘The night is starry and the stars are blue and shiver in the distance.’The night wind revolves in the sky and sings.Tonight I can write the saddest lines.I loved her, and sometimes she loved me too.Through nights like this one I held her in my arms.I kissed her again and again under the endless sky.She loved me, sometimes I loved her too.How could one not have loved her great still eyes.Tonight I can write the saddest lines.To think that I do not have her. To feel that I have lost her.To hear the immense night, still more immense without her.And the verse falls to the soul like dew to the pasture.What does it matter that my love could not keep her.The night is starry and she is not with me.This is all. In the distance someone is singing. In the distance.My soul is not satisfied that it has lost her.My sight tries to find her as though to bring her closer.My heart looks for her, and she is not with me.The same night whitening the same trees.We, of that time, are no longer the same.I no longer love her, that’s certain, but how I loved her.My voice tried to find the wind to touch her hearing.Another’s. She will be another’s. As she was before my kisses.Her voice, her bright body. Her infinite eyes.I no longer love her, that’s certain, but maybe I love her.Love is so short, forgetting is so long.Because through nights like this one I held her in my armsmy soul is not satisfied that it has lost her.Though this be the last pain that she makes me sufferand these the last verses that I write for her.”

“Faith is the flame that eliminates all fear.”

“Cordelia! stay a little. Ha! What is’t thou say’st? Her voice was ever soft.”

“We cry from pain, from loss, and from loneliness, but mostly we cry because we still have hope, and because we can still find joy even on the darkest and coldest of winter nights.”

“Hope is a horrible thing, you know. It’s a plague. It’s like walking around with a fishhook in your mouth and someone just keep pulling it and pulling it.”STATE OF WONDER”

“There was something about other people’s grief that was so exposing, so personal, that she felt she shouldn’t be looking.”

“She was made mostly of coffee and empty spaces.”

“Everyone was eating, talking softly, glancing at me, hugging me, eating. It was as if someone had turned the volume down. Everything looked normal, but the sound was muted. Death did this, set all this weirdness in motion, made people appear out of nowhere carrying casseroles, saying ‘I’m sorry’ over and over, death muffled their voices.”

“And thus we all are nighingThe truth we fear to know:Death will end our cryingFor friends that come and go.”

“There is uncertainty in hope, but even with its tenuous nature, it summons our strength and pulls us through fear and grief— and even death.”