“There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun.”

“I never paid any attention to people who told me to go out and live. I belonged always to whatever was far from me and to whatever I could never be. Anything that was not mine, however base, always seemed to me to be full of poetry. The only thing I ever loved was pure nothingness.”

“Sometimes I sit here and there, seeking that moment of quietness, that moment of emotionless rejoicing in the fullness of nothingness. Sometimes I take for granted the intuitive knowledge of a past that I don’t conciously know too much about, and calmly internally rejoice in the finding of old souls who I cross paths with again and again, with a kind warm smile and joyful tired deep eyes that show me way much more than I could express in words, that give me that sense that I’m not travelling by myself, and that ignite that fire in my heart to feel the knowing of the unknowing. I know deep in your heart you know this too, and if I would have the time to reach into space to you, the light within me would whisper ‘I love you too’.”

“…and after discarding the emptiness of the Big Congested Mess, we discover the fullness of Nothing.”

“Nothing will unfold for us unless we move toward whatlooks to us like nothing: faith is a cascade.”

“Don’t you know what god is? God is everything and God is nothing; for the perfection created by man cannot be anything other than nothing. They decided to give a name to nothingness, and thereby the made it become something. Like you… God, who is nothing, can no longer be nothing since he is God. You could be a god for men. They need to give a body to nothingness so that nothingness can be seen and touched-at least with the imagination.”

“It’s the poet we love in Caeiro, not the philosopher. What we really get from these poems is a childlike sense of life, with all the direct materiality of the child’s mind, and all the vital spirituality of hope and increase that exist in the body and soul of nescient childhood. Caeiro’s work is a dawn that wakes us up and quickens us; a more that material, more than anti-spiritual dawn. It’s an abstract effect, pure vacuum, nothingness.”