“I am developing new coping mechanisms for lost words and lost negatives, as here for instance: compensate by describing the episode instead. When something is lost, redirect energy, follow the derivé, the chance and flow of what life tosses us, and make something new instead. Remember that I’m often struck by certain passages of descriptive writing, writing that is not about driving home a point but about providing detail, background, setting the scene (it’s tempting to call this the stadium of writing). It has a “something from nothing” quality: a pleasurable experience has been had, and no one has paid a price. Remember that writing does not have to be torture (107).”

“Your boss takes a dim view of SEX?”

“Every time you go in, it’s like starting over. You don’t know how you did the other records. You’re learning all over. It’s some weird musician amnesia, or maybe the road wipes it out.”

“Dziewicza strona, biała. Pierwsza skalana i odrzucona. Wszystkie te marzenia, obietnice: czekanie, aż będę mogła znowu pisać, a potem bolesny, sfuszerowany gwałt na pierwszej kartce.”

“(on teaching writing) So many writers come to class with one question dominant in their mind, ‘How do I make a living from this?’ It’s a fair enough question and one I always try to answer well – but it saddens me that it so often overshadows the more relevant questions of ‘why am I writing’ and ‘what am I saying’ and ‘how do I keep it honest.”

“As I write, My fingers tap tap the keys the way Ravi Shankar’s fingers pluck and strum the strings of his sitar.”

“Stay humble as a writer: write on toilet paper.”

“Now may this little Book a blessing beTo those that love this little Book, and me:And may its Buyer have no cause to say,His money is but lost, or thrown away.”

“Writing romantic fiction is the second chance that loved ones denied us.”

“Sometimes it’s impossible to say certain things … Writing is something needed by man to share experience.”

“An inspirational writer’s life is an open book that never shuts. Choose your words carefully.”

“The stream of Time, irresistible, ever moving, carries off and bears away all things that come to birth and plunges them into utter darkness, both deeds of no account and deeds which are mighty and worthy of commemoration; as the playwright [Sophocles] says, it ‘brings to light that which was unseen and shrouds from us that which was manifest.’ Nevertheless, the science of History is a great bulwark against this stream of Time; in a way it checks this irresistible flood, it holds in a tight grasp whatever it can seize floating on the surface and will not allow it to slip away into the depths of Oblivion….I, having realized the effects wrought by Time, desire now by means of my writings to give an account of my father’s deeds, which do not deserve to be consigned to Forgetfulness nor to be swept away on the flood of Time into an ocean of Non-Remembrance; I wish to recall everything….”

“People think, Hey, I love kids, I want to write children’s books. But they think children are happy. That’s their first mistake. [Messinger, Jonathan. “Guilt for dinner: The Mo Willems interview.” Hipsqueak. 5 May 2011. Web. 18 November 2011.]”

“While an author is yet living we estimate his powers by his worst performance, and when he is dead we rate them by his best.”

“I think the reason why I don’t read so much, is because as I have observed, whole books all boil down to a drop of essence. You can read a book full of ten thousand words and at the end, sum it up in one sentence; I am more for the one sentence. I am more for the essence. It’s like how you need a truckload of roses to extract one drop of rose oil; I don’t want to bother with the truckload of roses because I would rather walk away with the drop of rose oil. So in my mind, I have written two hundred books. Why? Because I have with me two hundred vials with one drop of essence in each!”