All Quotes By Tag: Writing
“Another important consequence in the arrival of digital technology and its facilitation of feedback is that we can look at large systems and recognize them once more not only as part of ourselves, but also as components that can change… Now, though, we live in a world where text is fluid, where is responds to our instructions. Writing something down records it, but does not make it true or permanent. So why should we put up with a system we don’t like simply because it’s been written somewhere?”
“Comparisons deplete the actuality of the things compared… (“Conveyance: The Story I would Not Want Bill Wilson To Read”)”
“For a moment, I debated whether I should tell someone about the words I’d started writing down, but I couldn’t. In a way, I felt ashamed, even though my writing was the one thing that whispered okayness in my ear. I didn’t speak it, to anyone.”
“Publication is a marathon, not a sprint. Writing the book is only the start.”
“I’m 100% certain of the quality of story I’m writing until I finish the outline and actually begin to write. At this point, I’m 100% certain the story sucks and I will never show it to another living soul. Until I type “THE END.” At this point, I’m 50% certain it sucks, 50% certain it’s brilliant, and 100% certain if I don’t show it to someone I will spontaneously combust.”
“The principles of storytelling do not change. Going home. Coming of age. Sin and redemption. The hero. The journey, The power of love. They are hardwired into us, just like our taste buds process sweet, sour, bitter, and salt. Can a new voice come up with something startling and creative and unprecedented? Absolutely. Can they invent a fifth taste? No. No, they can’t. Can they make it so we don’t like sweet anymore? No, no they can’t.”
“When well told, a story captured the subtle movement of change. If a novel was a map of a country, a story was the bright silver pin that marked the crossroads.”
“This too to remember. If a man writes clearly enough any one can see if he fakes. If he mystifies to avoid a straight statement, which is very different from breaking so-called rules of syntax or grammar to make an efffect which can be obtained in no other way, the writer takes a longer time to be known as a fake and other writers who are afflicted by the same necessity will praise him in their own defense. True mysticism should not be confused with incompetence in writing which seeks to mystify where there is no mystery but is really only the necessity to fake to cover lack of knowledge or the inability to state clearly. Mysticism implies a mystery and there are many mysteries; but incompetence is not one of them; nor is overwritten journalism made literature by the injection of a false epic qulaity. Remember this too: all bad writers are in love with the epic.”
“My English teacher said that a writer is the worst judge of his own work.”
“I was trying to learn to write, commencing with the simplest things, and one of the simplest things of all and the most fundamental is violent death.”
“I do not think one can assess a writer’s motives without knowing something of his early development. His subject matter will be determined by the age he lives in … but before he ever begins to write he will have acquired an emotional attitude from which he will never completely escape.”
“And why don’t you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven’t written. (And why I didn’t write before the age of twenty-seven.) Because writing is at once too high, too great for you, it’s reserved for the great-that is for “great men”; and it’s “silly.”Besides, you’ve written a little, but in secret. And it wasn’t good, because it was in secret, and because you punished yourself for writing, because you didn’t go all the way, or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty-so as to be forgiven; or to forget, to bury it until the next time.”
“الكتابة تأتي، تأتي من تلقاء نفسها فلا يتعيّن عليّ سوى أن أقول مرحبًا وأفسح لها المكان”
“Editors can be stupid at times. They just ignore that author’s intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don’t make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author’s mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, ‘Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?’. Monet would be ripping his hair out.”
“The surest path to success is to learn to have a healthy relationship with failure. If we aren’t failing, then we aren’t doing anything interesting.”