“So much in writing depends on the superficiality of one’s days. One may be preoccupied with shopping and income tax returns and chance conversations, but the stream of the unconscious continues to flow undisturbed, solving problems, planning ahead: one sits down sterile and dispirited at the desk, and suddenly the words come as though from the air: the situations that seemed blocked in a hopeless impasse move forward: the work has been done while one slept or shopped or talked with friends.”

“[A]lways get to the dialogue as soon as possible. I always feel the thing to go for is speed. Nothing puts the reader off more than a big slab of prose at the start.”(Interview, The Paris Review, Issue 64, Winter 1975)”

“When the creative impulse sweeps over you, grab it. You grab it and honor it and use it, because momentum is a rare gift.”

“i writebecauseit is the only wayi can reach you.”

“Creativity is paradoxical. To create, a person must have knowledge but forget the knowledge, must see unexpected connections in things but not have a mental disorder, must work hard but spend time doing nothing as information incubates, must create many ideas yet most of them are useless, must look at the same thing as everyone else, yet see something different, must desire success but embrace failure, must be persistent but not stubborn, and must listen to experts but know how to disregard them.”[Twelve Things You Were Not Taught in School About Creative Thinking (The Creativity Post, December 6, 2011)]”

“The last thing one discovers in composing a work is what to put first.”

“My life will be the best illustration of all my work.”

“Actually, writers have no business writing about their own works. They either wax conceited, saying things like: ‘My brilliance is possibly most apparent in my dazzling short story, “The Cookiepants Hypotenuse.”‘ Or else they get unbearably cutesy: ‘My cat Ootsywootums has given me all my best ideas, hasn’t oo, squeezums?”

“Be sure not to discuss your hero’s state of mind. Make it clear from his actions.”(Letter to Alexander Chekhov, May 10, 1886)”

“I don’t know exactly where ideas come from, but when I’m working well ideas just appear. I’ve heard other people say similar things – so it’s one of the ways I know there’s help and guidance out there. It’s just a matter of our figuring out how to receive the ideas or information that are waiting to be heard.”

“There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don’t want to, don’t much like what you’re writing, and aren’t writing particularly well.”

“The professor leaned forward. “But there’s nothing more profound than creating something out of nothing.” Her lovely face turned fierce. “Think about it Cath. That’s what makes a god—or a mother. There’s nothing more intoxicating than creating something from nothing. Creating something from yourself.”

“Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.”

“A story is not like a road to follow … it’s more like a house. You go inside and stay there for a while, wandering back and forth and settling where you like and discovering how the room and corridors relate to each other, how the world outside is altered by being viewed from these windows. And you, the visitor, the reader, are altered as well by being in this enclosed space, whether it is ample and easy or full of crooked turns, or sparsely or opulently furnished. You can go back again and again, and the house, the story, always contains more than you saw the last time. It also has a sturdy sense of itself of being built out of its own necessity, not just to shelter or beguile you.”

“Writing is thinking. To write well is to think clearly. That’s why it’s so hard.”(Interview with NEH chairman Bruce Cole, Humanities, July/Aug. 2002, Vol. 23/No. 4)”