All Quotes By Tag: Dialogue

“Christ, I loathe women. But I can’t get going on the other tack either. And you needn’t blush and look coy, I never fancied you. I know what you got up to with Fritzie Eitel! No—but I’d have had old Wilfred if he’d asked me. What did old Wilfred do for sex? No one ever knew. Perhaps he didn’t have any, and if so good on him.”

“The trouble with you, Charles, is that basically you despise women, whereas I, in spite of some appearances to the contrary, do not.””I don’t despise women. I was in love with all Shakespeare’s heroines before I was twelve.””But they don’t exist, dear man, that’s the point. They live in the never-never land of art, all tricked out in Shakespeare’s wit and wisdom, and mock us from there, filling us with false hopes and empty dreams. The real thing is spite and lies and arguments about money.”

“It’s not so easy.””What isn’t?””To establish relationships, you can’t just elect people, it can’t be done by thinking and willing.”

“Reva often spoke about ‘settling down.’ That sounded like death to me.’I’d rather be alone than anybody’s live-in prostitute,’ I said to Reva.”

“Argumentation is a human enterprise that is embedded in a larger social and psychological context. This context includes (1) the total psyches of the two persons engaged in dialogue, (2) the relationship between the two persons, (3) the immediate situation in which they find themselves and (4) the larger social, cultural and historical situation surrounding them.”

“I just wish moments weren’t so fleeting!’ Isaac called to the man on the roof, ‘They pass so quickly!’ ‘Fleeting?!’ responded the tilling man, ‘Moments? They pass quickly?! . . . Why, once a man is finished growing, he still has twenty years of youth. After that, he has twenty years of middle age. Then, unless misfortune strikes, nature gives him twenty thoughtful years of old age. Why do you call that quickly?’ And with that, the tilling man wiped his sweaty brow and continued tilling; and the dejected Isaac continued wandering. ‘Stupid fool!’ Isaac muttered quietly to himself as soon as he was far enough away not to be heard.”

“Overuse at best is needless clutter; at worst, it creates the impression that the characters are overacting, emoting like silent film stars. Still, an adverb can be exactly what a sentence needs. They can add important intonation to dialogue, or subtly convey information.”

“We cannot control the way people interpret our ideas or thoughts, but we can control the words and tones we choose to convey them. Peace is built on understanding, and wars are built on misunderstandings. Never underestimate the power of a single word, and never recklessly throw around words. One wrong word, or misinterpreted word, can change the meaning of an entire sentence and start a war. And one right word, or one kind word, can grant you the heavens and open doors.”

“The world requires me to re-write its wretched dialogue!”

“MARCELLUS: But look, Agathon, what strange dark light is glowing amongst the clouds. You would think a sea of flame is blazing behind the clouds. A divine fire! And the sky is like a blue bell. It’s as if one can hear it tolling in deep, solemn tones. You might even suspect that up there above us, in unattainable heights, something is taking place of which we shall never know. But at times we can sense it, when that vast silence has settled over the earth. And yet! All this is very confusing. The gods have to pose insoluble riddles for us humans. And the earth does not rescue us from the cunning of the gods; for it too is full of things that confound the senses. Both things and humans confuse me. True enough! Things are very taciturn! And the human soul won’t yield up its riddles. You ask and it keeps silent.AGATHON: Let’s live and not ask questions. Life is full of beauty.”

“But here I do see how everyone feels.””I wonder if I like that,” said Eddie. “I suspect how people feel, and that seems to me bad enough—I wonder if the truth would be worse or better. The truth, of course I mean, about other people. I know only too well how I feel.”

“[A]lways get to the dialogue as soon as possible. I always feel the thing to go for is speed. Nothing puts the reader off more than a big slab of prose at the start.”(Interview, The Paris Review, Issue 64, Winter 1975)”

“I still believe in man in spite of man. I believe in language even though it has been wounded, deformed, and perverted by the enemies of mankind. And I continue to cling to words because it is up to us to transform them into instruments of comprehension rather than contempt. It is up to us to choose whether we wish to use them to curse or to heal, to wound or to console.”

“Of course I want to kill you,” said Skulduggery. “I want to kill most people. But then where would I be? In a field of dead people with no one to talk to.”

“Perception can be one-sided or variant: “Glass half empty or half full.” There usually is more than one way of perceiving. Thoroughly check your inner dialogue.”