“Addio, Dann. Addio, piccolo signor Rail, che mi hai insegnato la vita. Avevi ragione tu: non siamo morti. Non è possibile morire vicino a te. Perfino Mormy ha aspettato che tu fossi lontano per farlo. Adesso sono io che vado lontano. E non sarà vicino a te che morirò. Addio, mio piccolo signore, che sognavi i treni e sapevi dov’era l’infinito. Tutto quel che c’era io l’ho visto, guardando te. E sono stata ovunque, stando con te. È una cosa che non riuscirò a spiegare mai a nessuno. Ma è così. Me la porterò dietro, e sarà il mio segreto più bello. Addio, Dann. Non pensarmi mai, se non ridendo. Addio.”

“This world’s a city full of straying streets, and death’s the market-place where each one meets.”

“An enemy is like a man’s most prized flower. It brings him joy to see it buried in the ground.”

“The menopause of Sarah became her menostart; this is feminine beauty! The death plot against Mordecai became his life spring; this is masculine beauty! A kind of life lived in God’s word is a life of miraculous beauty!”

“Most of us are naturally inclined to struggle against the restrictions our friends and family impose upon us, but if we are so unfortunate as to lose a loved one, what a difference then! Then the restriction becomes a sacred trust.”

“Not success. Not growth. Not happiness. The cradle of your love of life … is death.”

“The universe was exploding, each particle away from the next, hurtling us into dark and lonely space, eternally tearing us away from each other – child out of the womb, friend away from friend, moving from each other, each through his own pathway towards the goal-box of solitary death.”

“He took his hands off the oars and pulled in the mooring rope. If I make a couple of loops, he thought, I can strap the axe on to my back.He had a mental picture of what could happen to a man who plunged into the cauldron below a waterfall with a sharp piece of metal attached to his body.GOOD MORNING.Vimes blinked. A tall dark robed figure was now sitting in the boat.’Are you Death?’IT’S THE SCYTHE, ISN’T IT? PEOPLE ALWAYS NOTICE THE SCYTHE.’I’m going to die?’POSSIBLY.’Possibly? You turn up when people are possibly going to die?’OH, YES. IT’S QUITE THE NEW THING. IT’S BECAUSE OF THE UNCERTAINTY PRINCIPLE.’What’s that?’I’M NOT SURE.’That’s very helpful.”

“Not only are selves conditional but they die. Each day, we wake slightly altered, and the person we were yesterday is dead. So why, one could say, be afraid of death, when death comes all the time?”

“In crime and enmity they lie Who sin and tell us love can die, Who say to us in slander’s breath That love belongs to sin and death.”

“For what blessing may a man hope for butAn immortality inThe loving vigilance of death.”

“I see no end to my misery but the grave.”

“But me They cannot touch, Old age and death. The strange And ignominious end of old Dead folk!”

“A tired man lay down his headin a dusty room so dim,and for so long his wife did shakeand yell to waken him.Meanwhile his thoughts, his dreams, did stirof sandy, red bullfights,of powder-blasts in the airand carnival delights.Yet still his wife was in despairin a dusty room so dim,for she knew death was a whorenot far from tempting him.”

“Every suicide is a solution to a problem.”