“Art is long, and Time is fleeting,And our hearts, though stout and brave,Still, like muffled drums, are beatingFuneral marches to the grave.”

“We often pity the poor, because they have no leisure to mourn their departed relatives, and necessity obliges them to labor through their severest afflictions: but is not active employment the best remedy for overwhelming sorrow–the surest antidote for despair? It may be a rough comforter: it may seem hard to be harassed with the cares of life when we have no relish for its enjoyments; to be goaded to labor when the heart is ready to break, and the vexed spirit implores for rest only to weep in silence: but is not labor better than the rest we covet? and are not those petty, tormenting cares less hurtful than a continual brooding over the great affliction that oppresses us? Besides, we cannot have cares, and anxieties, and toil, without hope–if it be but the hope of fulfilling our joyless task, accomplishing some needful project, or escaping some further annoyance.”

“Brush snapped. The stag shambled forth from the outer darkness. It loomed above Scobie, its fur rank and steaming. Black blood oozed from gashes along its flanks. Beneath a great jagged crown of antlers its eyes were black, its teeth yellow and broken. Scobie fell to his knees, palms raised in supplication. The stag nuzzled his matted hair and its long tongue lapped at the muddy tears and the streaks of drying blood upon the man’s upturned face. Its muzzle unhinged. The teeth closed and there was a sound like a ripe cabbage cracking apart.”

“Bargains, bargains, El-ahrairah,” he said. “There is not a day or night but a doe offers her life for her kittens, or some honest captain of Owsla his life for his Chief Rabbit’s. Sometimes it is taken, sometimes it is not. But there is no bargain, for here what is is what must be.”

“There are worse ways to die than warm and drunk.”

“Are not our lives too short for that full utterance which through all our stammerings is of course our only and abiding intention?”

“Every suicide is a solution to a problem.”

“The world has a very serious problem, my friend’ Shiva went on. ‘Poor children still die by their millions. Westerners and the global rich — like me — live in post-scarcity society, while a billion people struggle to get enough to eat. And we’re pushing the planet towards a tipping point, where the corals die and the forests burn and life becomes much, much harder. We have the resources to solve those problems, even now, but politics and economics and nationalism all get in the way. If we could access all those minds, though…”

“I wanted to listen to him, but I did not want to answer now. That strange responsibility we feel towards others when they speak, to offer them the solace of any answer. Poor humans! And anyway he had not asked a question. He was merely floating there in the room, insubstantial, a living man in the midst of life, dying imperceptibly on his feet, like all of us.”

“I wonder if my first breath was as soul-stirring to my mother as her last breath was to me”

“When your people are lying dead around you, don’t come crying to me…”

“It was Mina this whole time, wasn’t it?” I give him the only thing I can: the cold, hard truth. The one that’ll rewrite every memory he has – of him and me, her and me, the two of them, all three of us: “It’ll always be Mina.”

“We are all dust passing through the air, the difference is, some are flying high in the sky, while others are flying low. But eventually, we all settle on the same ground.”

“You can’t escape an assasin,” He leaned forward, shadows swallowing his eyes. “Hangings, bumbling bureaucrats, dishonest crewman, jail – those you can talk your way out of, you try hard enough. But this kind of death is the is the only kind of death.”

“You can’t avoid the inevitability of death. It comes at you one way or another, and takes us all to the same place in the end. To apologize for it is to apologize for the sun shining or the rain falling. It is what it is.”