“Mr. Codro’s destiny is Ptolemaic; in other words, based on fiction. Ptolemaic says it all; it means above all fixed and unchanging, that is to say different from real life which is by nature changing and temporary. It means: not according to natural truth, but according to man’s desire and the pretense inspired by his fear of dying and his desire for permanence.”

“What makes the prospect of death distinctive in the modern age is the background of permanent technological and sociological revolution against which it is set, and which serves to strip us of any possible faith in the permanence of our labours. Our ancestors could believe that their achievements had a chance of bearing up against the flow of events. We know time to be a hurricane. Our buildings, our sense of style, our ideas, all of these will soon enough be anachronisms, and the machines in which we now take inordinate pride will seem no less bathetic than Yorick’s skull.”

“The idea that all souls are mortal is the only notion surely terminating love and all its forms.”

“Bones are patient. Bones never tire nor do they run away. When you come upon a man who has been dead many years, his bones will still be lying there, in place, content, patiently waiting, but his flesh will have gotten up and left him. Water is like flesh. Water will not stand still. It is always off to somewhere else; restless, talkative, and curious. Even water in a covered jar will disappear in time. Flesh is water. Stones are like bones. Satisfied. Patient. Dependable. Tell me, then, Alobar, in order to achieve immortality, should you emulate water or stone? Should you trust your flesh or your bones?”

“They told us to depend on memory, because nothing written down could be relied on. The Spirit travels from mouth to mouth, not from thing to thing: books could be burnt, paper crumbles away, computers could be destroyed. Only the spirit lives forever, and the Spirit isn’t a thing.”

“That which is impermanent attracts compassion. That which is not provides wisdom. (116)”

“He meant the Grand Canyon was only a mood of nature, a bold promise, a beautiful record. He meant that mountains had sifted away in its dust, yet the canyon was young. Man was nothing, so let him be humble. This cataclysm of the earth, this playground of a river was not inscrutable; it was only inevitable—as inevitable as nature herself. Millions of years in the bygone ages it had lain serene under a half moon; it would bask silent under a rayless sun, in the onward edge of time.It taught simplicity, serenity, peace. The eye that saw only the strife, the war, the decay, the ruin, or only the glory and the tragedy, saw not all the truth. It spoke simply, though its words were grand: “My spirit is the Spirit of Time, of Eternity, of God. Man is little, vain, vaunting. Listen. To-morrow he shall be gone. Peace! Peace!”

“The search for something permanent is one of the deepest of the instincts leading men to philosophy.”

“Perhaps home is not a place but simply an irrevocable condition.”