“I would like [my readers] to better understand human beings and human life as a result of having read [my] stories. I’d like them to feel that this was an experience that made things better for them and an experience that gave them hope. I think that the kind of things that we talk about at this conference — fantasy very much so, science fiction, and even horror — the message that we’re sending is the reverse of the message sent by what is called “realistic fiction.” (I happen to think that realistic fiction is not, in fact, realistic, but that’s a side issue.) And what we are saying is that it doesn’t have to be like this: things can be different. Our society can be changed. Maybe it’s worse, maybe it’s better. Maybe it’s a higher civilization, maybe it’s a barbaric civilization. But it doesn’t have to be the way it is now. Things can change. And we’re also saying things can change for you in your life. Look at the difference between Severian the apprentice and Severian the Autarch [in The Book of the New Sun], for example. The difference beteween Silk as an augur and Silk as calde [in The Book of the Long Sun]. You see?We don’t always have to be this. There can be something else. We can stop doing the thing that we’re doing. Moms Mabley had a great line in some movie or other — she said, “You keep on doing what you been doing and you’re gonna keep on gettin’ what you been gettin’.” And we don’t have to keep on doing what we’ve been doing. We can do something else if we don’t like what we’re gettin’. I think a lot of the purpose of fiction ought to be to tell people that.”

“Humans are strange. … They value punishment because they think it means their actions are important—that they are important. … it’s vanity.”

“There is no such thing as helplessness. It’s just another word for giving up.”

“Loyalty needn’t be outspoken, Uranda. Only the days will tell if you’re loyal enough to theKing or not.” – The Exiled Angel.”

“There is a rule for fantasy writers: The more truth you mix in with a lie, the stronger it gets.”

“What in the blue star-blazes did you see in Jason?” he asked, still forcefully but with his frustration and jealousy under better control.”For one thing, Djetth, he wasn’t trying to kill me!”(“Marsh”, heroine of Insufficient Mating Material)”

“I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.”

“I want to take my time with you – to learn … every inch of you. And this apartment has very, very thin walls. I don’t want to have an audience” he added as he leaned down again, brushing his mouth over the cut at the base of her throat, “when I make you moan, Aelin.”

“Part of the appeal of the fantastic is taking ridiculous ideas very seriously and pretending they’re not absurd.”

“Fancies are like shadows…you can’t cage them, they’re such wayward, dancing things.”

“Each of the dancers took a partner, the living with the dead, each to each. Bod reached out his hand and found himself touching fingers with, and gazing into the grey eyes of, the lady in the cobweb dress. She smiled at him.“Hello, Bod,” she said.“Hello,” he said, as he danced with her. “I don’t know your name.”“Names aren’t really important,” she said.“I love your horse. He’s so big! I never knew horses could be that big.”“He is gentle enough to bear the mightiest of you away on his broad back, and strong enough for the smallest of you as well.”“Can I ride him?” asked Bod.“One day,” she told him, and her cobweb skirts shimmered. “One day. Everybody does.”“Promise?”I promise.”

“there are three kinds of people in the world: those who don’t know and don’t know they don’t know; those who don’t know and do know they don’t know; and those who know and know how much they still don’t know.”

“Tolkien, who created this marvellous vehicle, doesn’t go anywhere in it. He just sits where he is. What I mean by that is that he always seems to be looking backwards, to a greater and more golden past; and what’s more he doesn’t allow girls or women any important part in the story at all. Life is bigger and more interesting than The Lord of the Rings thinks it is.”

“I try to deny myself any illusions or delusions, and I think that this perhaps entitles me to try and deny the same to others, at least as long as they refuse to keep their fantasies to themselves.”