“What in the blue star-blazes did you see in Jason?” he asked, still forcefully but with his frustration and jealousy under better control.”For one thing, Djetth, he wasn’t trying to kill me!”(“Marsh”, heroine of Insufficient Mating Material)”

“I noticed him right away. No, it wasn’t his lean, rugged face. Or the dark waves of shiny hair that hung just a little too long on his forehead. It wasn’t the slim, collarless biker jacket he wore, hugging his lean shoulders. It was the way he stood. The confident way he waited in the cafeteria line to get a slice of pizza. He didn’t saunter. He didn’t amble. He stood at the center, and let the other people buzz around him. His stance was straight and sure.”

“I want to take my time with you – to learn … every inch of you. And this apartment has very, very thin walls. I don’t want to have an audience” he added as he leaned down again, brushing his mouth over the cut at the base of her throat, “when I make you moan, Aelin.”

“Part of the appeal of the fantastic is taking ridiculous ideas very seriously and pretending they’re not absurd.”

“Fancies are like shadows…you can’t cage them, they’re such wayward, dancing things.”

“Each of the dancers took a partner, the living with the dead, each to each. Bod reached out his hand and found himself touching fingers with, and gazing into the grey eyes of, the lady in the cobweb dress. She smiled at him.“Hello, Bod,” she said.“Hello,” he said, as he danced with her. “I don’t know your name.”“Names aren’t really important,” she said.“I love your horse. He’s so big! I never knew horses could be that big.”“He is gentle enough to bear the mightiest of you away on his broad back, and strong enough for the smallest of you as well.”“Can I ride him?” asked Bod.“One day,” she told him, and her cobweb skirts shimmered. “One day. Everybody does.”“Promise?”I promise.”

“there are three kinds of people in the world: those who don’t know and don’t know they don’t know; those who don’t know and do know they don’t know; and those who know and know how much they still don’t know.”

“Tolkien, who created this marvellous vehicle, doesn’t go anywhere in it. He just sits where he is. What I mean by that is that he always seems to be looking backwards, to a greater and more golden past; and what’s more he doesn’t allow girls or women any important part in the story at all. Life is bigger and more interesting than The Lord of the Rings thinks it is.”

“I try to deny myself any illusions or delusions, and I think that this perhaps entitles me to try and deny the same to others, at least as long as they refuse to keep their fantasies to themselves.”

“Then Deborah stood at the wicket gate, the boundary, and there was a woman with outstretched hand, demanding tickets.”Pass through,” she said when Deborah reached her. “We saw you coming.” The wicket gate became a turnstile. Deborah pushed against it and there was no resistance, she was through. “What is it?” she asked. “Am I really here at last? Is this the bottom of the pool?””It could be,” smiled the woman. “There are so many ways. You just happened to choose this one.”Other people were pressing to come through. They had no faces, they were only shadows. Deborah stood aside to let them by, and in a moment they had gone, all phantoms.”Why only now, tonight?” asked Deborah. “Why not in the afternoon, when I came to the pool?””It’s a trick,” said the woman. “You seize on the moment in time. We were here this afternoon. We’re always here. Our life goes on around you, but nobody knows it. The trick’s easier by night, that’s all.””Am I dreaming, then?” asked Deborah.”No,” said the woman, “this isn’t a dream. And it isn’t death, either. It’s the secret world.”The secret world… It was something Deborah had always known, and now the pattern was complete. The memory of it, and the relief, were so tremendous that something seemed to burst inside her heart.”Of course…” she said, “of course…” and everything that had ever been fell into place. There was no disharmony. The joy was indescribable, and the surge of feeling, like wings about her in the air, lifted her away from the turnstile and the woman, and she had all knowledge. That was it – the invasion of knowledge. (“The Pool”)”

“Here is a list of terrible things,The jaws of sharks, a vultures wingsThe rabid bite of the dogs of war,The voice of one who went before,But most of all the mirror’s gaze,Which counts us out our numbered days.”

“Don’t get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That’s a story. Handled properly, it’s more dramatic than any apocalypse or goblin army could ever be.”

“There’s a reason that some of our oldest and most important stories start with “Once upon a time . . .” Tucked among the fantastical characters and magical other-worlds are profound truths. Lloyd Alexander, author of the beloved Chronicles of Prydain, said, “Fantasy is hardly an escape from reality. It’s a way of understanding it.” With that, we present to you this collection of wise and beautiful quotes from some of the greatest authors in the fantasy genre.”

“It was night again. The Waystone Inn lay in silence, and it was a silence of three parts.The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed through the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamor one expects from a drinking house during the dark hours of night. If there had been music…but no, of course there was no music. In fact there were none of these things, and so the silence remained.Inside the Waystone a pair of men huddled at one corner of the bar. They drank with quiet determination, avoiding serious discussions of troubling news. In doing this they added a small, sullen silence to the larger, hollow one. It made an alloy of sorts, a counterpoint.The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone hearth that held the heat of a long dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. And it was in the hands of the man who stood there, polishing a stretch of mahogany that already gleamed in the lamplight.The man had true-red hair, red as flame. His eyes were dark and distant, and he moved with the subtle certainty that comes from knowing many things.The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.”