“It has been my personal experience that as I allow the painting to speak I become lost, it is delicious and at the same time frightening. The best ones, to me, have a life of their own.”

“Sometimes the things in our heads are far worse than anything they could put in books or on film!!”

“Never outgrow your imagination.”

“She preferred the quiet solitary atmosphere, to create in her own world of paint and colour, the thrill of anticipating how her works would turn out as she eyed the blank sheets of paper or canvas before starting her next masterpiece. How satisfying it was to mess around in paint gear, without having to worry about spills, starch or frills, that was the life!”

“Rejoice, Micayon. Yours is a prophet’s dream. The Great Nostalgia has made your world too small, and made you a stranger in that world. It has unloosed your imagination from the grip ofthe despotic senses; and imagination has brought you forth your Faith.And Faith shall lift you high above the stagnant, stifling world and carry you across the dreary emptiness and up the Rugged Mountains where every faith must needs be tried and purified ofthe last dregs of Doubt.And Faith so purified and triumphant shall lead you to the boundaries of the eternally green summit and there deliver you into the hands of Understanding. Having discharged its task, Faith shall retire, and Understanding shall guide your steps to the unutterable Freedom of theSummit which is the true, the boundless, and all-including home of God and the OvercomingMan.”

“I am a writer and things which don’t happen in real world, happen in my world.”

“Imagine as if the sole purpose of life is for imagination. Act as if the purpose of life is to realize those imaginations.”

“Close your eyes to see the light of your love. It is what is enlightening the whole world. You don’t see things with your eyes. You see them through your perceptions, emotions, and imaginations.”

“J’écoutais mon cœur. Je ne pouvais imaginer que ce bruit qui m’accompagnait depuis si longtemps pût jamais cesser.”

“We are stripped of all that gave value and substance to our existence: power and love; in this naked final state, our last lover, our mate, death, comes. Bereft, without cover, we face the elements that will undo us. The winter breakers crash over and through us, flaunting their vigor and our nullity, as if the entire cosmos were now taking its ultimate revenge on the human creature who has lived too long: the dying sun mocks us from the west, for it will return tomorrow to die again, but we go down only once; the rising sun mocks us from the east, for we will not share in the rebirth of light and life; the noonday taunts us with its heat and vitality, for we are detritus; the north finally cloaks us in our last vestments: eternal night. That is how it ends.”

“OvermodulationBy Charlotte M Liebel-FawlsYou’re a cavity in my oasis,You’re a porthole in my sea,You’re a stretch of the imagination every time you look at me.You’re an ocean in my wineglass,You’re a Steinway on the beach,You’re a captivating audience, an exciting Rembrandt,A Masterpiece.”

“At first I protested and rebelled against poetry. I was about to deny my poetic worlds. I was doing violence to my illusions with analysis, science, and learning Henry’s language, entering Henry’s world. I wanted to destroy by violence and animalism my tenuous fantasies and illusions and my hypersensitivity. A kind of suicide. The ignominy awakened me. Then June came and answered the cravings of my imagination and saved me. Or perhaps she killed me, for now I am started on a course of madness.”

“That kind of imagination is why we’re not dead.”

“Where is my oasis? Too far fromhere for me to crawl with thesedead legs, refusing to co-operateHands and fingers clawing uselesslythrough the grains of sand…”

“When (The World According To) Garp was published, people who’d lost children wrote to me. ‘’I lost one, too,’’ they told me. I confessed to them that I hadn’t lost any children. I’m just a father with a good imagination. In my imagination, I lose my children every day. (afterword)”