“As repressed sadists are supposed to become policemen or butchers, so those with an irrational fear of life become publishers.”

“Every article and review and book that I have ever published has constituted an appeal to the person or persons to whom I should have talked before I dared to write it. I never launch any little essay without the hope—and the fear, because the encounter may also be embarrassing—that I shall draw a letter that begins, ‘Dear Mr. Hitchens, it seems that you are unaware that…’ It is in this sense that authorship is collaborative with ‘the reader.’ And there’s no help for it: you only find out what you ought to have known by pretending to know at least some of it already.It doesn’t matter how obscure or arcane or esoteric your place of publication may be: some sweet law ensures that the person who should be scrutinizing your work eventually does do so.”

“Woman, especially her sexuality, provides the object of endless commentary , description, supposition. But the result of all the telling only deepens the enigma and makes woman’s erotic force something that male storytelling can never quite explain or contain.”

“Be passionate about what you write, believe in your ability to convey timeless ideas, and let no one tell you what what you’re capable of.”

“Naturally I feel no shame in writing these things because of the time which separates the moment when they are written–when only I can see them–from the moment when they will be read by other people, a moment which I feel will never come. By then I could have had an accident or died; a war or a revolution could have broken out. This delay makes it possible for me to write today, in the same way I used to lie in the scorching sun for a whole day at sixteen, or make love wihout contraceptives at twenty: without thinking about the consequences”

“I mostly want to remind her of the recipes of healing, and give her my own made-on-the spot remedy for the easing of her pain. I tell her, “Get a pen. Stop crying so you can write this down and start working on it tonight.” My remedy is long. But the last item on the list says: “When you wake up and find yourself living someplace where there is nobody you love and trust, no community, it is time to leave town – to pack up and go (you can even go tonight). And where you need to go is any place where there are arms that can hold you, that will not let you go.”

“Writer’s block’ is just a fancy way of saying ‘I don’t feel like doing any work today.”

“She thought a writer should work harder writing a book than she did reading it.”

“I write to believe in goodness.”

“No one has the right to enter literature without fresh new ideas. We’ve got too many dexterous drudges as it is.”

“Come, let’s be calm: no one incapable of restraint was ever a writer.”

“Hendaklah tukang-tukang cerita waspada terhadap hal-hal bohong dan hikayat-hikayat yang menyajikan perbuatan salah, atau yang tujuan baiknya tidak dapat difahamkan oleh umum. Atau, cerita itu merupakan satu pertarungan antara yang baik dengan buruk, lalu yang buruk mendapat pembelaan yang berlebihan sebelum dikalahkan oleh yang baik. Tanpa disedari, hal ini memberanikan orang berbuat dosa (Ihya’ Ulumuddin).”

“Writers are archeologists of themselves.”

“In my profession it isn’t a question of telling good literature from bad. Really good literature is seldom appreciated in its own day. The best authors die poor, the bad ones make money — it’s always been like that. What do I, an agent, get out of a literary genius who won’t be discovered for another hundred years? I’ll be dead myself then. Successful incompetents are what I need.”

“If you are a real writer, then just surrender to the writer’s life, all of it, even the bad stuff. When you do that, the beauty appears: the peace, the meaning, the joy, the fulfillment, the sense that you are doing what you were born to do and what could be better, in the end, than that?”