“Accept criticism. If you do not offer your work for criticism and accept that criticism, meaning give it serious thought and attention, then you will never improve.”

“Read a lot. But read as a writer, to see how other writers are doing it. And make your knowledge of literature in English as deep and broad as you can. In workshops, writers are often told to read what is being written now, but if that is all you read, you are limiting yourself. You need to get a good overall sense of English literary history, so you can write out of that knowledge.”

“For a single thought to enter one must be aligned with its frequency. We overlook situations without seeking the cause, use the adversity to strengthen & heal the broken parts within yourself and you will outgrow the need to respond. Negativity is a choice, healing is a process.. learn the difference between the two.”

“A place that proves if you get enough talented people in a room, one or two are bound to offer some helpful advice. Kind if like monkeys with typewriters.”

“Write all the time. I believe in writing every day, at least a thousand words a day. We have a strange idea about writing: that it can be done, and done well, without a great deal of effort. Dancers practice every day, musicians practice every day, even when they are at the peak of their careers – especially then. Somehow, we don’t take writing as seriously. But writing – writing wonderfully – takes just as much dedication.”

“If you’re a writer, your first duty, a duty you owe to yourself and your readers, and to your writing itself, is to become wonderful. To become the best writer you can possibly be.”

“You cannot write unless you write much.”

“Comfort rarely produces great art.”

“Evan Connell said once that he knew he was finished with a short story when he found himself going through it and taking out commas and then going through the story again and putting the commas back in the same places. I like that way of working on something. I respect that kind of care for what is being done. That’s all we have, finally, the words, and they had better be the right ones, with the punctuation in the right places so that they an best say what they are meant to say. If the words are heavy with the writer’s own unbridled emotions, or if they are imprecise and inaccurate for some other reason — if the worlds are in any way blurred — the reader’s eyes will slide right over them and nothing will be achieved. Henry James called this sort of hapless writing ‘weak specification’.”

“If nаturе іntеndеd uѕ to tаlk mоrе than lіѕtеn, ѕhе would have gіvеn us twо mоuthѕ and оnе еаr.”

“Remember…we don’t see objects, we see light. […] Light can do anything water can do–flow, wash, trickle. It can do anything an artist can do–paint, burnish, carve. Candlelight falls, licks a face. There is always light in a room.”

“And enigmatic smile is worth ten pages of dialog.”

“At one time I thought the most important thing was talent. I think now that — the young man or the young woman must possess or teach himself, train himself, in infinite patience, which is to try and to try and to try until it comes right. He must train himself in ruthless intolerance. That is, to throw away anything that is false no matter how much he might love that page or that paragraph. The most important thing is insight, that is … curiosity to wonder, to mull, and to muse why it is that man does what he does. And if you have that, then I don’t think the talent makes much difference, whether you’ve got that or not.[Press conference, University of Virginia, May 20, 1957]”

“A seeker of radical strenght Keeps everything on track, Feeble force yields at length, Not sure where to go back. When one can’t find courage, And all the efforts seem vain, It’s advised to fight like a sage: Be powerful like a bullet train! Too much work and no play Can make a brain go astray! Determined to live and stay Can lead life into a long way.”