“Walking away ends a battle in the heart of one, and starts a war in the soul of another.”

“My heart’s been broken in a thousand pieces I’ve lived and died a thousand times And in each of those lifetimes With all of those pieces I chose you…A million times.”

“The only way to find art is to lose touch with reality.”

“You draw characters speaking loud and clear but you’re not hearing them.” her mother told her, then she kissed her forehead and mumbled how she liked her art and went downstairs. Cecilia wrote these words on her bedroom wall, just behind her headboard for no one to see it but herself to know that it exists.”

“Poetry is a machine that manufactures love. Its other virtues escape me.”

“Opium resembles religion insofar as a magician resembles Jesus.”

“Art according to art! Love according to love! This is taking the salt away from Heaven. Do you think Our Savior tries to make Himself talked about? He does not ask to be recopied. God cannot be deified without ridicule. He likes to be lived. Dead languages are dead. One must translate Him into all the living languages, and help Him to hide Himself to do good just as the Devil hides himself to do evil.”

“Let the art of your life be so magical that it continues to mesmerize others long after you are gone.”

“[Poetry] was a form of incantation, a means of welding the world inside his head to the one that surrounded him, words the fiery chain that bound it all together.”

“A life without books is a thirsty life, and one without poetry is…like a life without pictures.”

“Without poets, without artists, men would soon weary of nature’s monotony. The sublime idea men have of the universe would collapse with dizzying speed. The order which we find in nature, and which is only an effect of art, would at once vanish. Everything would break up in chaos. There would be no seasons, no civilization, no thought, no humanity; even life would give way, and the impotent void would reign everywhere.”

“If you ask a twenty-one-year-old poet whose poetry he likes, he might say, unblushing, “Nobody’s,” In his youth, he has not yet understood that poets like poetry, and novelists like novels; he himself likes only the role, the thought of himself in a hat.”

“In the end, this volume should be read a s a collection of love stories, Above all, they are tales of love, not the love with which so many stories end – the love of fidelity, kindness and fertility – but the other side of love, its cruelty, sterility and duplicity. In a way, the decadents did accept Nordau’s idea of the artist as monster. But in nature, the glory and panacea of romanticism, they found nothing. Theirs is an aesthetic that disavows the natural and with it the body. The truly beautiful body is dead, because it is empty. Decadent work is always morbid, but its attraction to death is through art. What they refused was the condemnation of that monster. And yet despite the decadent celebration of artifice, these stories record art’s failure in the struggle against natural horror. Nature fights back and wins, and decadent writing remains a remarkable account of that failure.”

“SOWING LIGHTNINGSeizeBolts of lightning from the skyAnd plant them in fields of life.They will grow like tender sprouts of fire.Charge somber thoughtsWith unexpected flash,You, my lightning in the soil!”