“A tough life needs a tough language—and that is what poetry is. That is what literature offers—a language powerful enough to say how it is.”

“Total knowledge is annihilation Of the desire to see, to touch, to feel The world sensed only through senses And immune to the knowledge without feeling.”

“Omnipotence and omniscience are the end of power and knowledge.”

“She took a deep breath, “Last chance. Are you in need of rescuing?” His expression turned very strange, almost as if she’d struck him, “Yes,” he said finally.”

“They had no conversation together, no intercourse but what the commonest civility required. Once so much to each other! Now nothing! There had been a time, when of all the large party now filling the drawing-room at Uppercross, they would have found it most difficult to cease to speak to one another. With the exception, perhaps, of Admiral and Mrs. Croft, who seemed particularly attached and happy, (Anne could allow no other exception even among the married couples) there could have been no two hearts so open, no tastes so simliar, no feelings so in unison, no countenances so beloved. Now they were as strangers; nay, worse than strangers, for they could never become aquainted. It was a perpetual estrangement.”

“No sooner have you feasted on beauty with your eyes than your mind tells you that beauty is vain and beauty passes”

“Starting over can be the scariest thing in the entire world, whether it’s leaving a lover, a school, a team, a friend or anything else that feels like a core part of our identity but when your gut is telling you that something here isn’t right or feels unsafe, I really want you to listen and trust in that voice.”

“Witness also that when we talk about literature, we do so in the present tense. When we speak of the dead, we are not so kind.”

“The poet must always, in every instance, have the vibrant word… that by it’s trenchancy can so wound my soul that it whimpers…. One must know and recognize not merely the direct but the secret power of the word; one must be able to give one’s writing unexpected effects. It must have a hectic, anguished vehemence, so that it rushes past like a gust of air, and it must have a latent, roistering tenderness so that it creeps and steals one’s mind; it must be able to ring out like a sea-shanty in a tremendous hour, in the time of the tempest, and it must be able to sigh like one who, in tearful mood, sobs in his inmost heart.”

“Green in nature is one thing, green in literature another. Nature and letters seem to have a natural antipathy; bring them together and they tear each other to pieces.”

“When the Washington Post telephoned me at home on Valentine’s Day 1989 to ask my opinion about the Ayatollah Khomeini’s fatwah, I felt at once that here was something that completely committed me. It was, if I can phrase it like this, a matter of everything I hated versus everything I loved. In the hate column: dictatorship, religion, stupidity, demagogy, censorship, bullying, and intimidation. In the love column: literature, irony, humor, the individual, and the defense of free expression. Plus, of course, friendship—though I like to think that my reaction would have been the same if I hadn’t known Salman at all. To re-state the premise of the argument again: the theocratic head of a foreign despotism offers money in his own name in order to suborn the murder of a civilian citizen of another country, for the offense of writing a work of fiction. No more root-and-branch challenge to the values of the Enlightenment (on the bicentennial of the fall of the Bastille) or to the First Amendment to the Constitution, could be imagined. President George H.W. Bush, when asked to comment, could only say grudgingly that, as far as he could see, no American interests were involved…”

“I felt nurtured by literature’s web of sentences, connected through them to this strange and dark universe.”

“فإنْ كانَ قلبكِ يا سيّدتي شيئاً غيرَ القلوب فما نحنُ شيئاً غيرَ النّاس , وَ إنْ كنتِ هندسةً وحدها في بناءِ الحبِّ فما خُلقتْ أعمارنا في هندستكِ للقياس , وَ هبي قلبكِ خُلقَ ” مربّعاً ” أفلا يسعنا ” ضلعٌ ” من أضلاعه , أوْ ” مدوّراً ” أفلا يُمسكنا ” محيطه ” في ” نقطة ” منْ انخفاضه أو ارتفاعه , وَ هبيه ” مثلّثا ” فاجعلينا منهُ بقيّةً في ” الزّاوية ” أو ” مستطيلاً ” فدعينا نمتدُّ معه وَ لوْ إلى ناحية …!”